Yes, I know, I’m recommending a Volume 2 to you – but worry not, although if you already know your Fables history there are little references hidden away for you to enjoy, but to the new reader this Fables spin-off series focused on the female characters is a terrific way into this long-running world of tales (and if it is new to you you will want to explore not only Fairest 1 but the whole of Willingham’s magnificent Fables series afterwards). For this story arc Willingham sought out South African writer Lauren Beukes (rhymes with Lucas, if you are wondering), who I’m sure some of you will alreadyknow from her Zoo City novel, which won the prestigious Arthur C Clarke Award, the UK’s top prize for literary science fiction (I’d also commend her recent, disturbing, fascinating and compelling The Shining Girls novel, reviewed recently by James on our blog and now nominated for the prestigious Golden Dagger award), while Brit comics readers may have seen Inaki’s work in Judge Dredd.
Lauren was given Rapunzel (of flowing locks fame) as a character to play with and teamed up with Spanish artist Inaki Miranda, and although she felt tempted to do something with folkloric characters from her own African homeland she couldn’t resist the lure of Japan. And while I would love to see the duo revisit Fairest later for an African myth-themed tale I, am glad they did go Japanese for this first outing. Despite working in different countries the two were soon swapping ideas, references and influences, from ancient Japanese folklore to modern anime and J-Pop, and the hugely influential J-Horror (as Lauren put it, there had to be a crazy hair horror moment in the Japanese setting!) which fuse in the tale to give a fantastic setting that takes in the hypermodernity of big-city Japan mixed with its much, much older rich seam of folklore.
Rapunzel has had a mysterious message, that a dark chapter of her long personal history is calling her to Japan, where she had been centuries before. A potion helps slow her astonishing hair growth so she can travel in the human world without drawing too much attention (when your hair grows several inches every few hours it’s hard to hide it on a long flight from the US to Japan!) and with some other Fables she begins her search in Japan, where we get to meet a whole array of Japanese Fables, many of whom soon prove memorable characters in their own right, some quirky, funny, some disturbing and monstrous, some rather sexy.
This is no simple tale of personal rediscovery in a (too us anyway) exotic setting and culture though , as Beukes and Miranda layer in a whole lot of other elements into both the story and the characters. This isn’t a story that shies away from exploring dubious moralities and the consequences to many from the actions of one, and it is also a story in which sexuality (in a very sensual fashion though, not an exploitative way) plays a major role. Also mixed in with this is violence, including a particularly harrowing sequence which writer and artist crafted to be brutal, not wanting the stylised, almost, as Lauren put it discussing this scene recently at the Edinburgh Book Festival, consequence free violent fights of some superhero tales (lots of violence but rarely seems to matter much). This shows the awful nature of someone being hurt, repeatedly and brutally, deliberately shocking the reader, as indeed it should. Miranda conjures up some wonderful visuals, from a splash of neon Tokyo that looks like a J-Pop album cover to a brooding, dark old forest in which the overgrowth of Rapunzel’s hair (and the things that come from it) are spun into a nest, like something from one of Del Toro’s early films, menacing and disturbing, while the aforementioned violent scene flashes from different protagonist’s perspectives until the physical punishment leads to the frames breaking up, shattering, cleverly echoing the victim’s point of view as the punishing concussion of the blows drives her into unconsciousness, or a psychedelic, disturbing birth scene – the pair of them reallydo craft some memorable scenes.
There’s been a real push to bring in novelists – especially from SF&F – into comics to help stir things up in recent years, bringing in new perspectives, and this is one of the fruits of that push. Much recommended. You can read a special guest Commentary post by Lauren and Inaki discussing their approach to Fairest here on our blog. Inaki’s art will be seen again this autumn in Coffin Hill as part of the big, new DC/Vertigo series of titles and I reckon he’s one to be watching. Lauren is already working on a new book and let’s hope it won’t be long before she also returns to comics.
this review was originally penned for the Forbidden Planet blog