Each night it is slightly lighter when I leave work as sunset slowly moves later each day as winter moves at a snail’s pace towards spring. It is still dark as I walk home, but only just, with a glimmer of pale light in the western sky – the sun already below the horizon, but a last bit of light illuminating the skies. And as I walk home east to west that’s facing me and I get a chance for a few “blue hour” shots, when the eastern sky behind me is already black but for a short period the western sky retains a pale, blue glow, which silhouettes Edinburgh’s unique skyline beautifully. It’s something that happens particularly early spring and late autumn, and it’s a sight I always love seeing…
As we move deep into autumn and winter knocks at the door, that means it is getting darker earlier and earlier each evening. This isn’t all bad, of course, because that means I get to take night shots just by walking home from work of an evening. This was the world’s largest memorial to a writer, the great Gothic rocket of the Scott Monument, last night, at “Blue Hour”, that brief, magical twilight moment when the sun has set, the eastern sky is dark but the western sky still has a pale, blue light to it from the vanished sun below the horizon, one of my favourite times of day during autumn and winter, especially as that light quality in the sky silhouettes Edinburgh’s old buildings:
This is looking west from Waverley Bridge, across the now-dark Princes Street Gardens towards the Mound, where the National Gallery of Scotland (on the left) and the Royal Scottish Academy (on the right) can be seen, with the western sky just fading into darkness, the last burst of colours before full nightfall:
Zooming in a bit more from the previous picture, the large, plate-glass, brightly-lit windows you can see below the Royal Academy are part of the Playfair extension which lies under the plaza on the Mound between the two galleries. It was completed a few years ago and connects both structures underground with more exhibition and work spaces, plus a cafe and restaurant by these windows, looking out into Princes Street Gardens:
Last night on my way home from work, the iconic old Bank of Scotland building which stands at the top of the Mound by the road which curves up from the Georgian-era New Town to the medieval Old Town above on its volcanic ridge. There was a large crescent Moon rising in the early evening sky, and from this perspective it looked as it it were right above the dome on the bank building, so I had to get a shot of it. These are the sorts of things you just get to see walking home from work when you live in Edinburgh. Not a bad commute, is it?
It’s dark well before I leave for work at this time of year, but while some complain about the increasingly long, dark nights I see it as a chance to enjoy the city’s nocturnal face, and to take some more night shots. I was lucky enough to be walking home from work at just the right time this week to capture a ‘blue hour’ shot – a phrase used by some photographers to refer to catching an early night shot, when most of the sky has gone dark but there is still just a tiny glimmer of pale, blue light in the western horizon. Walking up the Royal Mile which runs east to west and slopes upwards along the spine of the volcanic ridge the Old Town sits on, the sky above and behind me was already dark, but just a little light still to the west, and of course on a long exposure on the camera is seems much brighter as it spent a couple of minutes drinking in the scant light. I love capturing these moments even mroe than a full night shot, you get the illuminated street scenes of a busy night-time city but also that little blue light to silhouette some of the buildings too. This image must have been shared somewhere, because my views for it went crazy on my Flickr stream – over 2600 views in less than 20 hours of posting, which is pretty satisfying. Click the pic to see the larger versions on my Flickr: