I’m enjoying a few days off for my annual Edinburgh International Film Festival fun. Last night at the Traverse Theatre as part of the film fest they had an “in conversation” with French actor Dominique Pinon, who has appeared in a number of my favourite films over the years. One of those evening that reminds me one of the reason I love living here so much is that with our festivals everyone comes to Edinburgh at some point, writers, directors, actors, musicians, they all come here. I took a few photos with the new camera – sitting several rows up and back in a theatre so not the best place for taking photos, but out of the batch I shot a handful came out passably.
“To-morrow, and to-morrow, and to-morrow,
Creeps in this petty pace from day to day,
To the last syllable of recorded time;
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life’s but a walking shadow, a poor player,
That struts and frets his hour upon the stage,
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.” Macbeth, Act 5, Scene 5
Four hundred years to the day since William Shakespeare shuffled off this mortal coil, a popular playwright in his own time, he may well have been just a footnote in literary history like so many others, and yet, partly due to the posthumously published First Folio collection in 1623, put together by his friends so that Will’s work would not be forgotten after his death. Could any of them have imagined that these would become part of the absolute canon of world literature, told and retold endlessly across the centuries, adapted to new mediums and new ages…
(the portrait of Shakespeare from the First Folio, by Martin Droeshout)
“How many ages hence,
Shall this our lofty scene be acted over,
In states unborn and accents yet unknown!” Julius Caesar
Four hundred years on and Shakespeare’s works still suffuse not only the cultural heritage of Britain but, appropriately, given the name of his famous theatre, the Globe, so many lines entering the popular language, used even by those who have no idea they are quoting from the Bard. They’ve been adapted again and again into new media that Will could never have dreamed of, from radio productions beamed into our homes through the ether like some magic by Prospero to the glories of the silver screen, and re-interpreting his works and life as inspiration for new tales – witness Neil Gaiman’s remarkable use of Shakespeare several times in his magnificent Sandman comics, both the plays and the man and also looking at the act of artistic creation, the cost of crafting stories (using the medium of stories to examine stories…). I’ve been a bookseller for more than two decades, a reader all my life, and I know full well that of the many stories published each year some can go on to become hugely popular, bestsellers as we’d call them today, and yet ten or twenty years later even those bestselling writers can slip into out of print obscurity.
(One of the Shakespeare elements of Neil Gaiman’s Sandman, from on of my favourite plays, The Tempest, Prospero and Miranda, artwork by the incomparable Charles Vess)
Save for a precious fraction of all the authors who have ever been published – the Jane Austens, the Charles Dickens, the Cervantes, the Borges, the Walter Scotts, eternal Homer of course, Mark Twain. These remain in print, always re-read, across the world, loved and admired and passed on to other generations, translated into languages Shakespeare would never have heard uttered, read again even in nations which didn’t exist when Shakespeare walked the streets of Stratford. As Gaiman has Dream tell his version of Shakespeare, there are some stories which are simply forever, which will always need to be retold as long as human tells stories – and storytelling is in the very blood of humanity, we’ve been doing it since we sat around fires telling oral ballads and drawing on cave walls. Times change, but people are people and the best stories say something about our nature, about what it is to be human, and that makes them forever pertinent to any age. And of course they’re also just bloody good stories to enjoy!