Walking home from work, for once the sun had come out, end of the day in very early spring, sun already low in the sky now dipping towards the western horizon, casting copper light and long shadows over Edinburgh’s spectacular skyline:
A zoom in on some details of the crowded roofs of the tall buildings of the Old Town, with the spire of the Tron Kirk visible on the Royal Mile, rising above them, the peak of Arthur’s Seat prominent in the background:
I thought this one worked as a sort of cross-section of the Old Town, showing off the old structures which descend the steep sides of the volcanic ridge which the Old Town lies on – it’s a city of many levels, Edinburgh, and that’s before you consider what’s below ground too…
The beautiful, almost wedding cake architecture of Ramsay Gardens, surely one of the most unique set of dwelling places in the British Isles, sat literally right by the esplanade of Edinburgh Castle at the top of the Old town’s volcanic ridge, commanding views out across the 18th century New Town towards the mighty Firth of Forth, seen here catching the last rays of a spring day sun…
It’s that time of year where it is now dark before I leave from work to walk home, but I don’t mind that – even when darkness falls Edinburgh looks wonderful and I enjoy walking night-time streets and taking in views like this, looking down from Granny Black’s steps to the Grassmarket behind the Castle, the blander new building on the far side of the square of the Grassmarket is a modern hotel, behind and above it you can see the wonderful old structure of Herriots school; these are all improvised shots, no tripod as was coming home from work so balanced camera on timer on walls and railings:
Another shot from Granny Black’s Steps, looking down into Kings Stables Road which leads off from the Grassmarket – the building in the background above with the very large, brightly lit windows is the back of Edinburgh College of Art:
Another one looking down into the Grassmarket – the steep steps you see lead up and come out at part of the old, historic Flodden Wall by Herriots School near the University; they also feature in the wonderful animated film by Sylvain Chomet, The Illusionist:
And this shot I have taken several times at different times of year with different cameras over the years, but when I see it like this I simply can’t resist taking another one. The Royal Mile runs east (from the bottom of the ridge at the Palace of Holyrood and now also the Parliament) west up to the Castle. And because I walk home westward at this time of year there is that marvellous quality of evening where it is fully dark but there is a lingering touch of pale light left in the western horizon, so as well as a night shot (another improv one – set timer in night mode, left shutter open, camera balanced on top of traffic bollard; I think about 2/3 of my night shots are improvised like this when I see a scene walking about town) you also get some light in the sky silhouetting the buildings. And with people walking about the busy street you also get that ‘ghosting’ effect, which I must admit I rather like. This is my walk home – isn’t it wonderful?
(dome of Old College Building at Edinburgh University on Southbridge)
The roof terrace of the modern section of the National Museum of Scotland is one of Edinburgh’s best ‘secret’ spots to take in views across the roofs of the city’s Old Town. I say secret, it isn’t really a secret, it is free and open to the public like the rest of the museum, but I mean secret as in so many people – visitors and natives – simply don’t seem to know it is there and the remarkable panorama across the city it offers. Highly recommended for a visit.
(above: looking down on historic Greyfriars Kirk, below: top of Edinburgh’s splendid Central Library)
(view right across the Old Town to the clock tower of the Balmoral Hotel on Princes Street, visible even over the tall buildings of the Old Town), below: fluttering flags on the roofs of the City Chambers and other buildings, bottom: dome of the Bank of Scotland HQ on the Mound)
Bright, sunny, warm autumn day, really bringing out the colours in the historic Riddles Court, even in the small confines of the wee square of the court between the towering tenements of the Old Town, right off the Royal Mile, the sun still managed to creep in to light up the wonderful colour on this building and nature even kindly provided me with a lovely blue sky to contrast it against it and a few shadows from a neighbouring tenement.
Ambling through Edinburgh’s Old Town on a Saturday afternoon recently with a friend we noticed a stall set up on Middle Meadow Walk with second hand albums, CDs and DVDs. I used to go to second hand record shops regularly when I first moved here years ago, but prices for CDs and DVDs in places like Fopp or online have dropped so much over the years that the second hand places are often not worth it, although I do find myself still going for wanders through second hand and charity bookstores (and I certainly don’t really need more books, but it doesn’t stop me!).
It’s funny though, as soon as my fingertips started flicking through the racks, especially the plastic-wrapped albums, it was like the fingers remembered this exercise from many years of browsing and I felt a curious satisfaction, half memories of browsing through old albums with pals in Glasgow or Edinburgh of a weekend in our late teens and 20s. An enjoyable way to spend some time; raking through boxes of second hand comics has a similarly satisfying feeling. And I think the fact you can come away with some purchases but only spend a small amount is kind of nice, especially with things so tight – the feeling of having bought something cool but not having made a hole in the wallet to do it. I think I came away with second hand White Stripes album and a jazz one by Courtney Pine, plus a DVD of The Goonies for the princely sum of about 7 quid. Then we wandered over the road to Sandy Bell’s for a few pints and listen to some live folk music.
Some of the grandstand seating and control tower erected on the Castle Esplanade for the annual Royal Military Tattoo which takes place during the Festival in August and these days also gets used for some concerts before and after the Tattoo. Duran Duran and Florence and the Machine were on there on Thursday night – amazing spot for a gig, the Castle gates and battlements to one side, Edinburgh at night to the other sides below your view from the top of the vast volcanic Castle Rock. Alas, also very exposed to the elements and that evening we had thunder, lightning and torrential rain, which is the drawback to that sort of venue… I have been just once to the Tattoo, not really my cup of tea, although it is quite dramatic to see a massed pipe band at night come marching out the Castle gates, which are flanked by statues of the Bruce and Wallace, fire blazing in metal braziers on the battlements above. And at the end all the lights out, even the ones which floodlight the Castle, save for one spotlight and the haunting image and sound of a single, lone piper on the wall of this ancient fortress high above the city.
Street caricaturist at work on the Royal Mile, spotted while walking home one evening; for some reason there’s something I find interesting about taking a picture of someone who is in turn creating a picture:
Quick candid street shot on the Royal Mile, a young tourist couple looking at their guide book for ideas of where to visit next in Edinburgh. The Mile is incredibly busy now with visitors, but nothing compared to what it will be like come August and the Festival. And yes, I am still on a bit of a black and white photo kick at the moment, started off using it for architectural shots then decided I quite liked the way some street scenes looked in monochrome. I don’t know why but I love capturing un-posed street scenes, I think it appeals to my sense of using photography mostly for ‘honest’ purposes (ie I don’t rework them in Photoshop, usually what you see is what I saw, including monochrome shots – if its in B&W I shot that way, it wasn’t in colour then grayscaled afterwards, I think that gives a ‘flat’ result) and my Gonzo Photographer ethos of not setting up shots and settings much but mostly shooting quickly from the hip at whatever catches my eye; not everyone’s way of doing it (some prefer methodical set ups of framing, lighting and settings, I’m more of a spontaneous kind of person in this as in writing), but its how I work with my camera and I enjoy it. And with 31, 000 views on my Flickr stream I assume some other folks must like some of them too.