Some more night views

Been sorting out and uploading some more shots I took on a long (if somewhat chilly) winter photo-walk around Edinburgh at night recently – with the sun being down not long after four in the afternoon it certainly makes it easier to take dusk and night shots without having to wander round town with camera and tripod late in the evening. This is the Ensign Ewart, a centuries old pub named for the soldier from the Scots Greys who took an Eagle standard from one of the French regiments during the Battle of Waterloo. It is also the highest pub in the city, being right at the top of the Royal Mile, yards from the Castle Esplanade (where Ewart is interred under a large memorial):

The Ensign Ewart

From the entrance to the Castle Esplanade, looking down right from the start of the Royal Mile, which runs down from the Castle along the spine of the steep volcanic ridge the Old Town is built upon, to the Palace of Holyrood at the bottom end. You can see the 19th century attraction of the Camera Obscura on the right, still a big draw with tourists today

Camera Obscura at night 01

And there’s the Outlook Tower of the Camera Oscura on Castlehill, quite a prominent landmark:

Camera Obscura at night 02

A view from high up in the Old Town looking down and across the Georgian-era New Town – in the upper centre you can see the green dome of the Royal Society of Edinburgh and in the distance the Firth of Forth, with a moored oil rig near one of the yards on the Fife side of the river (click to see the bigger versions available on Flickr):

Dusk over the New Town

The distinctive Ramsay Garden block of very expensive apartments, right by the edge of the Castle Esplanade, high up on the ridge of the Old Town, a mixture of Scots Baronial architecture with some more unusual additions. This is the view from the Esplanade at dusk, the front of the structure is a major landmark on the Old Town’s steep-sided facade as viewed from down below in the New Town:

Ramsay Gardens at night 02

Down in the Grassmarket, this is the French Connection, a Scottish-French food takeaway – from the looks of the second picture the bloke inside had spotted me lining up my shot!

The French Connection 01

The French Connection 02

A little late night art-browsing for this couple on Victoria Street:

the nocturnal habits of art lovers

Boswell’s Court at the top of the Royal Mile, named for Doctor Boswell who lived there, a 17th century group of structures yards from the Castle, although much modified in the Victorian era. Doctor Boswell’s more famous nephew, James Boswell, biographer of Samuel Johnston, reputedly dined with the grand man of letters here. It is now home to the Witchery, a posh restaurant and supposedly the most haunted dining place in the city.

Boswell's Court at night 01

Boswell's Court at night 02

And some views of Edinburgh Castle from the Esplanade, just a little after the winter sun had set, still a tiny glimmer of light in the western sky behind the Castle – was much darker to the naked eye, but more obvious in a long exposure pulling out as much light as the camera could soak up:

Edinburgh Castle at dusk 01

Edinburgh Castle at dusk 02

Edinburgh Castle at dusk 03

And the Castle gates, now closed for the night, guarded by the stone sculptures of two of Scotland’s greatest historic heroes, Sir William Wallace and Robert the Bruce, King of Scots, instrumental in the Wars of Independence back the late 1200s and early 1300s:

Edinburgh Castle at dusk 05

Night vision

As autumn slips into winter the sun declines into the western sky earlier and earlier each evening now, setting a little after four in the afternoon now. So longer, colder, darker nights come in once more, but it’s not all bad when it gives you sunsets like this in Edinburgh – the sphinxes on the roof of the Royal Scottish Academy watching the sky becoming an Impressionist painting for just a few, brief moments, sun already gone but a last splash of colours across the western sky before the final fall of night:

winter sunset, Edinburgh 03

A lot of people paused to watch as Edinburgh Castle was silhouetted by the dying of the light:

winter sunset, Edinburgh 02

Despite the cold I went for a photo walk, and ended up spending over two hours taking night shots. Most still to be processed, but here are a few I took around Victoria Terrace:

Victoria Terrace at night 01

The terrace is in the Old Town and overlooks Victoria Street, which curves down steeply from George IV Bridge down to the Grassmarket. There are several bars and restaurants at one end of the terrace – if you go into the front of those establishments from the Royal Mile or Johnston Terrace (behind the Castle) you seem to be going in at ground level, but because the Old Town is built on a steeply sloped volcanic ridge, when you come out their back door to the terrace you find yourself looking down over several more levels below. It’s a good place to see the different levels Edinburgh’s geology forced the architecture to take.

Victoria Terrace at night 02

Victoria Terrace at night 04

A lot of people don’t even notice the terrace above Victoria Street when they visit, quite easy to miss, but if you are in town it’s well worth a quick wander along, night or day, because it offers some unusual perspectives on the Old Town and views across the heart of the town, such as towards 17th century Heriot’s School, which here looks like the Edinburgh branch of Hogwart’s:

Victoria Terrace at night 05

And now it is dark before I leave work each day I get views like this walking up the Royal Mile:

Royal Mile at night

Nocturnal reflections

Walking home from work this week, huge, long puddle by modern offices of major company, water turned into dark mirror by the fall of night, nicely reflecting the buildings around it. No tripod since I was coming from work, didn’t think it would actually come out freehand at night, but the new camera has a lot more low light sensitivity than the previous one so sometimes I can get lucky with handheld night shots. Funny how something as mundane as a rainy puddle can become interesting in a pic…

dark reflections 01

2015 in pictures

Having a week look back through my Flickr stream and decided to pick out some of my favourites from the photographs I shot during 2015. No theme here (other than being roughly chronological from January through to December), not the ones which got the most views on Flickr or anything like that, or even technically the best shots, just the ones I was most pleased with capturing through my lens last year.

This old, crumbling cemetery is St Machan’s, complete with ruined church, nestling at the foot of the Campsie Hills by Campsie Glen, and it looked especially atmospheric in the snow and that blue light quality we get on some winter’s days:

St Machan's kirkyard, winter 04

Out for a walk after dark back in January with the tripod, taking some night shots of the city – for some reason while I shot buildings and other scenes it was this simple shot of an enclosed lane which runs along the side of the Assembly Rooms, something about the angle, the lights and shadows, all screamed for a black and white shot:

well-lit lane 02

From the same winter photo walk, I’ve long meant to bag a pic of this shop, an antiques and pawnbrokers, I think, on a corner in the New Town on Queen Street, with these very distinctive eagle sculptures along the top, and as I was passing by with the tripod I thought now was the time…

Duncanson & Edwards at night

This was an improvised night shot on the walk home from work – no tripod since I was coming from work, so I set the timer for a long exposure and rested the camera on top of one of the small metal bollards along the Union Canal used for tying up barges, which seemed to make it steady enough for a long exposure – how cosy do these houseboats look?

floating homes

An afternoon in the local pub, this particular one doesn’t just allow dogs in, they don’t mind them being on the seats (as long as humans don’t need the space), and as we drank my chum’s greyhounds made themselves very comfortable, so I used the timer again and sat the camera on the seat next to them to get this low perspective shot in very low light:

sleeping pub pooches 03

March – should be springtime, but on the way to work as I crossed North Bridge (which strides over the valley the railway station lies in, connecting Old Town and New Town) early on a freezing morning, I saw this view of a snow-dusted Edinburgh Castle and paused to get a quick photo before heading on to work. These are the sorts of views I can get just going to and from work, another reason I love living in Edinburgh…

springtime in Scotland 02

I’ve taken many photos along the East Lothian coast near North Berwick as my chum often drives down there with his dogs for a good walk and I sometimes tag along. No matter how many times I’ve taken the mighty Bass Rock off the coast it’s always tempting to take another as the light and seasons change how it looks. Here though the tide was in, save for a small, flat spit of sand projecting out, and when I took the shot from this perspective it made it look almost as if the people looking towards it were walking on the water:

walking on water

In May dad and I were driving past Chryston and I had noticed a now closed petrol station – not unusual these days, so many have closed down, unable to compete with the ones run by the giant supermarket chains next to their stores. But what was unusual was that everything was still in place – normally the pumps and other equipment are taken away, leaving just the weed-strewn concrete apron behind, but here building and pumps, rusting, some burst open, all still in place, and on a bright day with good light, so we pulled over so I could shoot some images of this abandoned, rusting derelict:

this petrol station is no more, it has ceased to be 07

On the same day dad and I had driven out to Hogganfield Loch, a loch in a large park in Glasgow, which we used to go to a lot when I was a kid (it was very popular for boating and had nearby golf and putting greens), first time in years I had been there. No boating anymore there, but huge amounts of birds:

Hogganfield Loch 09

Out for a walk on a pretty cold spring afternoon in May, taking some pics, and as I passed Peter’s Yard, the Swedish bakery and cafe on Middle Meadow Walk, I paused to take a few “people watching” shots, and caught this rather nice moment between two friends sitting on the outside of the cafe:

sharing coffee outdoor 02

June arrived, Film Festival time for me, and this year the festival had asked me to write up some pieces for their site as they were showing Future Shock, a documentary about 2000 AD, and the comic’s founder and major UK writer Pat Mills was up for the screening to do a Q&A afterwards. I’ve met Pat a few times and he was kind enough to do a signing in our store before the film festival showing, where I snapped this pic:

Pat Mills signing Forbidden Planet Edinburgh 03

Late June and the Canal Festival and annual raft race came along just up the road from my flat. I took a bunch of shots but this was one of my favourite ones, as a band played on the old Leamington Lift Bridge – I think it was the smiles I captured in this shot that made me like it so much, they were clearly enjoying themselves:

music at the Edinburgh Canal Festival 05

Walking along the Union Canal near my flat during the early summer, always swans and ducks around on there, but this day an entire family out, the adult swans and these adorably fluffy-looking wee cygnets:

The Swan Family 02

Tom Gilzean is now in his nineties – despite this, this veteran is regularly seen on Princes Street rattling his cans to collect for charities, he’s raised more than £100k doing this. I’ve always wanted to get a shot of him at “his post”, so to speak, but never managed one, until I was on the way to work, the bus stopped at the lights right next to where he was just setting himself up, so I grabbed the camera from my bag and got this very quick shot through the window from the top deck of the bus before the lights changed and we moved off. Another reason why I always have the camera in my bag – never know who or what may present itself to you for a good pic as you go round town…

Tom Gilzean, charity fundraiser extraordinaire

Festival time and Edinburgh is bursting at the seams with tourists, performers and luvvies, and as usual I try to get as many shots as I can of the performers, who all congregate on the Royal Mile near the Cathedral, in a section of road given over to them during August, some doing excerpts from their shows on small open-air stages, others in costumes, walking up and down the Mile with posters and flyers to drum up interest (with hundreds of shows at the biggest arts fest in the world you need to fight for an audience). I always take a huge amount of shots on this stretch during August, but this performer from the Paperplay puppet theatre was one of my favourites, just as I was taking pics of her and some of her colleagues she turned just as I zoomed in a bit on her and gave me this smile just as I clicked. Sometimes the photo gods smile on your timing…

Edinburgh Fringe on the Mile 2015 063

Another Fringe performer on the Royal Mile last summer, on one of the small stages on the street, so she was standing a bit higher than me, light was good and I managed to zoom in and get this portrait shot that I was quite pleased with:

Edinburgh Fringe on the Mile 2015 081

More from the Fringe: sci-fi musical spoof Saucy Jack and the Space Vixens has become a regular visitor to the Festival, and I’ve snapped some of them in previous years, but this time they were doing a number from the show on one of the small stages and I caught this moment with one of the actors singing away:

Edinburgh Fringe on the Mile 2015 089

Still on the Royal Mile during Fringe time (well, I said I take a lot of pics in August!) – I still don’t know if this was an actual couple enjoying a sudden romantic moment surrounded by the bustle of Festival-time Edinburgh, or if they were from a show and promoting it (if they were they didn’t have any obvious flyers or promo material with them). I was actually shooting some other performers, looked around, saw them behind me, whipped up the camera thinking dammit, they will have finished before I can get them in frame, zoom in and focus, but no, this clinch went on and on and it gave me the few extra seconds I needed to zoom in and capture this moment. I think this was going to be my favourite pic I took this year, but one I took a couple of months later just beat it (see further down):

ae fond kiss

August also means the Edinburgh International Book Festival and of course I was there, enjoying a number of events as well as chairing a couple of the talks as well. And catching up with fellow book people, such as the fab Sarah McIntyre. This was “backstage” by the Author’s Yurt, Sarah was getting ready for her own event and had just changed into her costume, so I grabbed some photos, including this one with her own badge for her Dinosaur Police:

edinburgh book fest 2015 - Sarah McIntyre 03

Back on the Royal Mile and a pair of very young but very talented ladies who were playing classical music in the street, lovely strong light and after shooting a couple of general pics of them with their instruments I thought I would try to zoom in a bit as I wanted to capture their expressions as they played. It’s not perfect, trying to balance strong sunlight on one side with shadow on the other, and she moved just after I had zoomed in a bit more to get that close up, so it isn’t perfectly framed, but hey, shooting live on the street you grab what pics you get and while technically not a great photo frankly I loved it because it caught her expression of delight as she played her violin in front of a Fringe crowd, and I’ll take capturing a moment over being technically proficient any day of the week:

Edinburgh Fringe on the Mile 2015 0145

This was a pure chance shot – walking along George IV Bridge on a bright summer day, people sitting outside the bars and cafes having a drink and eating, I saw this couple having an animated discussion at their pavement table, sunlight right on them. I was on the opposite side of the street, in the shadow side, aimed camera and zoomed in across the street and had to try and grab a shot before traffic blocked the view, got this little moment:

animated conversation

September and a very warm, bright day – better than much of the summer had been, in fact, and so I went for a photo walk, ending up at one point on a busy Calton Hill, and the autumn light was so nice on the National Monument, and all the young tourists sitting on it in the sun, that I thought I’d try a monochrome shot:

Calton Hill, bright autumn day 03

A couple of comicker chums, Neil Slorance and Colin Bell came to do a signing, I was snapping away when they did this pose just as I clicked another shot:

Neil Slorance & Colin Bell signing Forbidden Planet Edinburgh 02

Late autumn, walking home from work on evening, that wonderful golden light we get on clear autumn days, and the long, long shadows because the sun is so much lower in the sky. I love the light quality here in autumn, it’s warm and golden, like honey on hot toast. This was the last half hour or so of daylight, sun sinking in the west, the east and north sides of the buildings sinking into deep shadows while the west-facing flanks of these tall, old stone buildings radiated that glowing copper light:

autumn evening in Edinburgh 03

Late autumn again, walking through the Meadows, unseasonably warm and again beautiful clear, autumn light, when I happened to just pass this chap making giant soap bubbles, so naturally I stopped for a pic. I love just coming across something like this, brightens the everyday world up a bit…

I'm forever blowing bubbles 03

Dad and I had a great day out visiting the Kelpies, the gigantic sculptures of these creatures from Scottish folklore, rearing up by the Forth & Clyde Canal near Stirling, quite wonderful to see. Would love to get back some time to do some shots of them by night…

Myth made steel 02

Same day out with dad, we had a quick visit to The Pineapple – I think you can see how this 1760s structure for the earls of Dunmore, near the Forth, got its name. It used to contain a hothouse for exotic plants being brought back by the many expeditions round the world at the time, the pineapple being an example of that (common to us now but then a sign of status, wealth and having travelled to far climes), while it looks down into a walled garden, which creates a micro climate allowing plants which would not normally survive the Scottish weather to flourish. The Pineapple roof is hand-carved and very clever – the projecting fronds also channel the water from it so it doesn’t collect and then damage the sculpture in winter by freezing. A wee hidden gem of a place:

The Pineapple 01

Into late October and a scene I have taken numerous times because I often walk home from work this way, straight up the famous Royal Mile. And by the end of October it is just becoming dark as I leave work – in fact the sun has actually set at this point, the streetlights are one, but there is a magical, extended twilight in autumn. I set the timer for a long exposure and sat the camera on top of a traffic bollard to steady it, pointing westwards up the Mile towards the cathedral. I’ve taken this shot several times over the years, but dammit, it’s so wonderful standing there that I just take another one to share anyway… This scene was much darker to my eyes, but I had a long exposure here, so the camera drank in what little light there was to give this brighter image, capturing what photographers call “the blue hour”, that moment when the sun has set but the western horizon still glows blue on a long exposure, only lasts a short time, but it’s wonderful when it does:

Royal Mile, blue hour

Autumn also saw a great visit from the entire Canadian contingent of our clan, including some of the younger kids who we hadn’t seen yet. At one point my uncle and I took some of them to the playpark nearby to let them run around for a wee while, and I took a bunch of pics, this one of one of my cousin’s wee girls became my favourite and probably my fave pic I took all year, just because she was so adorable and after shooting a bunch of her playing I finally got a decent close up before she moved out of frame again:

cousins at play 011

Winter and out for a shorter photo walk with dad, visiting the vast Necropolis, the huge Victorian cemetery on a small hill by the medieval Glasgow Cathedral, an astonishing place, terraced mausoleums going up the steep hillside, many large and ornate memorials, and from the top some splendid views over the city. It is reached from this, the evocatively-named Bridge of Sighs (so called because of the sighs and weeping of mourners accompanying funeral processions across the bridge taking loved ones from the vibrant city of Glasgow into this large city of the dead). An amazing place to visit:

Necropolis 012

Properly into winter and the annual festive market and fair in Princes Street Gardens had just opened, so after work I went on the prowl with the camera to take a few night shots around the market, and I couldn’t resist taking a B&W shot of these metal and glass candle holders on one stall:

glowing white in the night 02

Meanwhile, literally just a few feet from one of the brightly-lit entrances to the festive market, and all the lights, and shops and food stalls and happy browsers, this chap on the street, a reminder that not everyone gets to share in it all:

not all are included in the festive spirit

And once last night shot from the festive market – my new camera had arrived and was supposedly better at low light so I was desperate to try it out, but the weather had been so relentlessly awful, howling gales and driving rain, that most nights weren’t very suitable for a quick photo stroll after work. So when it was actually dry one night I had to go and play with the new camera – still getting used to it (unlike most bridge cameras it has manual focus and zoom options), and several times I could have sworn I had it in focus only to find out when I put them on the computer at home that the pics weren’t right, but that just needs more time getting used to the new picture box. This one came out very clearly though, especially considering it was a handheld shot at night with people moving around. Be fun to see if I can get as much out of the new camera as I did the previous one…

festive market 015

Festive fair

festive market 02

It’s that time of year when the festive market, ice rink and fair is set up in Princes Street Gardens, as well as more in nearby Saint Andrew Square, so I’ve been trying to take a few night-time photos of it all on the way home from work, some with the freshly arrived new camera, but mostly with older camera as weather has been too foul since new picture box arrived to take more than a few pics so far, rather frustratingly. The upper parts of Princes Street Gardens and the Mound by the National Gallery are where the market stalls and food and drink stalls are, while the lower part is where the kid’s funfair is:

Princes Street Gardens decked out for festive season

festive market 03

I always enjoy trying to get some pics of the festive market each year, especially after dark (not a long wait for that given it is dark by about four in the afternoon this time of year) and trying to capture images of people and the items being sold. Since this means night shots but not using the tripod (too busy in the market and too awkward) and also not using the flash (too disruptive) it’s tricky to get a decent shot quite often, and a lot of what I shoot will end up being binned as useless, but sometimes they come out not half bad, like this display of metal and glass candle holders (click for the larger images on my Flickr):

glowing white in the night 02

And I like trying to catch some “street” shots, candid moments of folks interacting with the stall holders and food vendors, again often find many pics simply don’t come out, too dark and they are moving, so I get blurred or shaky images, but again every now and then some of them work:

festive market 01

nocturnal snacking 01

With it being such a very long, dark night this time of year in Scotland, it’s quite a welcome sight to have so much light and life against the winter blackness. This lovely old double-decker Venetian Carousel is especially pretty:

Venetian Carousel

While this other carousel is actually an open air bar (complete with the hobby horses):

life is a carousel

Other parts of town, such as the huge Dome bar and restaurant on George Street, or Ryan’s Bar in the West End are always lit up rather brightly for the festive season:

The Dome at night

Ryans lit up for festive season

But not everyone gets to enjoy the food and drink and lights and open-air market – this homeless man was wrapped up against the cold and sitting on the pavement just a few feet from one of the entrances to “Edinburgh’s Christmas”:

not all are included in the festive spirit

Blue Hour

It’s dark well before I leave work at this time of year, but those short daylight hours and long, dark Scottish nights are not entirely bad news, because it means I get views like this “blue hour” shot looking up the Royal Mile (although I should add that western horizon was black to my eyes, the pale blue only came out with a long exposure):

Royal Mile, blue hour

Some pics from a photo walk

Despite the cold the light was pretty good the other weekend, so I took myself off for one of my “photo walks” in the afternoon and early evening, several hours wandering around, mostly in parts of town I’m not in too often, and taking pics as I go. You never know what you may find – down by the Stockbridge area, outside a barber’s shop, I spotted this amazing bench, made out of old skateboards – art you can use!

While this vintage clothing store and pop-up shop had a nice, slightly surreal (almost Monty Pythonesque) touch with this giant foot outside their door:

Dusk was falling as I started walking back upwards towards the heart of the New Town, passing Cafe Rouge, one of several French cafes and restaurants in the city. The outdoor seats were now all deserted, the temperature falling as night started to settle on a winter’s afternoon, and in contrast the warmth inside against the cold outside had left the windows covered in condensation:

Then I passed this small bar/bistro, and I simply couldn’t resist getting a shot of their neon sign at night:

Just around the corner from Liquor I finally took a picture of an old business on Queen Street I have meant to shoot for years, mostly because the lines of odd statues above it always catch my eye, but I so rarely go past it I forget about it. Since I was walking past and I had the tripod I thought I may as well finally get a shot of it

Then a few moments further up, next to the recently revamped old Assembly Rooms in George Street the lane running between it and the buildings next to it looked rather good at night and seemed to be begging for a black and white shot, so I had to take one (as ever for larger versions click on the pics to see on the Woolamaloo Flickr):

Castle and spire

Another shot from recent night-time round of photo-taking – I was actually taking something else, then noticed if I moved the tripod round a little, perhaps I could fit in the both the spire of Saint Cuthberts and the western flank of Edinburgh Castle. So I had a go and it seemed to work…

Food, this way…

Doing some more night shots recently, was drawn to this buzzing neon sign (surely one of the icons of night-time, big city living), zoomed in on it. And then for some reason felt moved to switch to black and white mode and shoot it in monochrome, even though, like most neon signs, it was a vibrantly coloured piece. But I had a feeling it would look cooler in black and white in a night shot, and actually, I think it does:

Yuletide Edinburgh

It’s Edinburgh, it’s a few days before Christmas, and with the short days, long nights and the sun have set before 4 in the afternoon it’s the time of year to enjoy Edinburgh’s nocturnal aspect, and how lovely Edinburgh is in the long, dark, winter nights – here’s the view from North Bridge, which connects Old and New Towns, spanning the valley between them, with the massive Waverley railway station way below (you can see the station’s glowing glass roof on the lower right of this pic; on the far left the Fruitmarket Gallery right above the tracks on the edge of the station, City Art Centre across from it, up towards the centre the domed Bank of Scotland building and behind it Edinburgh Castle standing sentinel above its city. Down on the right, centre the neo-Classical National Gallery of Scotland – as always click to see the larger versions on my Flickr site):

And a close up on Edinburgh Castle at night – if you look at the larger version you can even see people standing on the battlements looking down into the city. This was about twenty minutes after the sun had set, and the western skies were splashed with magnificent reds and purples silhouetting the floodlit Castle for just a few, brief, magical moments, before the skies darken for the long night:

And one more of the Castle, this time taken from down in Princes Street Gardens, which gave me the angle to get Ramsay Gardens (the very expensive apartments right next to the Castle on the left) and the big Christmas tree on the Mound into the shot):

The annual festive fair and market is in the Gardens and the Mound at this time of year. Right by the towering Gothic rocket of the Scott Monument is a huge fairground ride for Christmas, basically like an old chair-o-plane ride on steroids, the difference being when this starts to spin around swinging out the hanging seats below the canopy it goes high – very high. Take a look here – the Monument is over 60 metres in height and you can see the ride goes up only a few metres short of our great literary monument, couldn’t resist trying to get an angle to fit in both, glad dad gave me a small gizmo to mount on top of the tripod, little ball-socket thing that you can loosen and tilt to easily through a variety of angles, very, very handy):

Looking along the lower part of the Gardens towards the flank of the National Galleries of Scotland – the part you can see here, the large, brightly lit plate glass windows are actually underground for the most part. The main building sit on top of the mound, but it extends underneath the plaza in front of the building, including this side which is exposed by the valley of the Gardens, and here there is a cafe, restaurant, meeting rooms and more, plus a connection to the nearby Royal Scottish Academy, which you can see the edge of above and to the right:

And here’s a view of Princes Street Gardens with the festive fair and Christmas market, taken from the steps leading down the Mound:

I love this old double-decker carousel (or gallopers, if you prefer the nice, old terms for such rides), gorgeous looking, ornately decorated piece of work:

Over in Saint Andrew Square there are more market stalls, a circular ice rink in the centre, with a round temporary bar in the middle of the rink, and also this splendid old Spiegeltent theatre:

Here’s a view of the circular ice rink from the small footbridge they added over it:

And there’s an ice rink – a more traditionally shaped one – in the Gardens right by the Scott Monument too:

And of course as well as food and drink stalls there are many selling items of all sorts from clothes to jewelry to, of course, Christmas decorations:

All combines to fairly brighten up the long, cold, dark winter nights.

Little Green Van

Walking along the promenade at Portobello, Edinburgh’s seafront, just after sunset, the owner of the Little Green Van was closing up his food and drink stall for the day. I didn’t have the tripod with me as I thought we’d be home before dark, so improvised, sat the camera on the seawall, set the timer on a long exposure and was pretty pleased with the results – not bad considering it was an improvised night shot

The blood red fortress of the night

Crossing North Bridge (which spans the deep valley between Edinburgh’s Old Town and the Georgian-era New Town) a few nights ago I noticed that the Castle was illuminated in this deep red shade – as it turned out it was to mark the annual Poppy Appeal leading up to Armistice Day and Remembrance Sunday, although given it was the week leading to Halloween the colour scheme worked quite well for that too… I was going from work to my book group, so didn’t have the tripod with me, so improvised, setting up a long exposure on the camera, setting the timer then sitting the camera on the parapet of the bridge. Not ideal – it is angled and with double decker buses rumbling over it frequently it vibrates, not what you want when trying to take a long exposure night shot, took three or four but only this one came out reasonably (click to see larger versions on my Flickr):