Carnival

The Fringe – the world’s biggest arts festival – and the main Edinburgh Festival and Edinburgh Book Festival start in August, but we’re currently already in the Jazz and Blues Festival, which kicked off last weekend with with a carnival style parade along a packed Princes Street on a very hot day, then down into Princes Street Gardens afterwards where some performers put on shows in the Ross Theatre (open air theatre in the gardens, right below Castle Rock) and others did little bits on the parkland around the theatre too.

I loved this very colourful costume and the lettering round his tuba:

Of course, being Edinburgh as well as exotic musicians and dancers we had a pipe band:

This is how busy the Ross Theatre in the Gardens was after the parade:

Asian performers waiting to go on stage in the Gardens:

Performers relaxing on the grass after the parade

Celtic warrior woman putting on sword fighting display while band plays

Didn’t catch this foreign band’s name, but they were belting it out and really getting the crowd going

Music in film

It’s probably not surprising given I am a huge cinephile that I also really enjoy a lot of film soundtrack music. The other day I was listening to Gershwin when the album reach Rhapsody in Blue and right away I was mentally visualising that wonderful monochrome opening to Woody Allen’s Manhattan “he adored New York… for him it still pulsated to the great music of George Gershwin…”

And it made me think how sometimes certain pieces of music can become eternally associated with a scene from a film. I don’t just mean original soundtrack music – like John Williams’ opening for the original Star Wars, for instance, conjuring up that amazing (for the time, young me had seen nothing like these gigantic ships thundering across the screen after the opening crawl of text) opening of that saga, or Hans Zimmer’s powerful Inception soundtrack. No, I was thinking on music which had existed in its own right before being borrowed for us in a film – sometimes it can be a little known piece of music, or at least little known to the wider public, such as Barber’s Adagio in Platoon or Strauss’ waltz in the famous space docking sequence in 2001. Obviously classical music admirers knew those, but the films brought them to a wider audience and also indelibly linked those pieces forever in most people’s minds with those scenes in the movies.

Of course there is Herman Hupfeld’s “As Time Goes By” which originally dated from the early 1930s, but really became better known – any by better known I mean immortal – in the 1940s when used in Casablanca. If not for that I doubt most of us would ever have heard of the song, whereas now if we hear it we connect it to one of the best films of all time right away.

Sometimes it can be a well-known track a lot of folk had in their collection from years back, which suddenly leaps back into the pop-cultural landscape, fresh for a new audience, a nostalgic flashback for older fans. Iggy Pop’s Lust For Life suddenly gained a second lease of life when used in the pounding opening of the film version of Trainspotting:

Or Gary Jules’ cover of Tears for Fears’ “Mad World” for Donnie Darko:

And arguably these days for a lot of folk these days those songs will always be associated with the films. And then there’s the great use of Queen’s mid 1970s hit Bohemian Rhapsody for 90s cult hit Wayne’s World:

And Bob Seger’s “Old Time Rock & Roll” with a very young Tom Cruise dancing around in his socks in Risky Business:

And the Pixies’ brilliant “Where is my mind?” for the closing of Fight Club:

And a personal favourite of mine, Goth classic “Bela Lugosi’s Dead” by Bauhaus used in the opening to The Hunger – this one going so far as to actually use Pete Murphy and the boys in the film:

And there are hundreds more – think Steppenwolf’s rock classic “Born to be Wild” in Easy Rider, the Doors and even Wagner in Apocalypse Now and goodness knows how many more, classical, jazz, pop, rock that either existed before but were little known until selected for use in a film scene or else they had enjoyed their moment of success and suddenly found themselves with a second bite at the cherry (Quentin Tarantino has done both numerous times in pretty much every film soundtrack he’s ever made). I’m sure you can think of plenty of other similar examples off the top of your head.

Making music on the Mound

Walking through Edinburgh on the way home from work the other evening and came across this trio on the Mound, right by Princes Street Gardens, in the space next to the Royal Scottish Academy. They are called Marama and consisted of two drummers and a bagpiper, kicking out the jams to a fabulous beat, folk music but with a more modern edge, which reminded me of bands like Shooglenifty we used to go to see back in our student days who took Scots and Irish folk music but reworked it in a modern style (we danced all night to those, irresistible beat).

They were having a ball, drummers whacking away and the piper frequently dancing around them both as the beat rolled out across the city and the crowd cheered along.

Great fun to come across things like this just ambling home, another sign of moving properly into spring and summer (despite the weather!) as street performers start to appear more often.

And here’s a short video clip of them in action – sorry, being a street scene the audio isn’t that great and doesn’t do them justice really, but was only way I could try and grab at least a bit of of their sound to share:

Going medieval

A little medieval music in the Grassmarket area of Edinburgh recently (an area of the Old Town directly below the Castle, which boasts inns which were centuries old even when Robert Burns came to town), part of a wee medieval fayre which was taking place among the regular farmer’s market that takes place there at weekends, and included some re-creations of Medieval music and instruments:

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And here’s a short video if you are wondering what it sounded like:

Of course there were also some knights on hand…

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going medieval in the Grassmarket 07

And a rather fine selection of replica Medieval swords, which they were kind enough to let us pick up and try – rather heftier than the kinds of swords I trained with in my fencing days!

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We were having a good walk about taking in Doors Open Day when we saw that this was on, a perfect autumnal day too, beautiful, golden autumn sunlight and unseasonably warm for the time of year too, nice little extra bonus seeing this as we ambled around the city.

Free music from Belgium: the Royal Harmony Orchestra

The Royal Harmony Orchestra from Belgium is coming to Scotland in July and among their number if my own family’s Belgian contingent, with a free concert on the afternoon of Monday 9th July at three pm in the Ross Bandstand in the West Princes Street Gardens, right beneath the mighty edifice of Edinburgh Castle, if you are in town then please consider going along and giving them some support (and enjoying some free music to boot)

 

They will also be performing in Edinburgh’s historic Saint Giles Cathedral on the Royal Mile on Tuesday 10th July at twelve noon (again free entrance for all the events), the Wallace High Assembly Hall on Wednesday 11th at eight pm, Dunbar Harbour on Thursday 12th at three pm, and Saint John’s Kirk, Perth, on Friday 13th at twelve noon.

 

Lord of the Strings

Lindsey Stirling’s violin medley of music from the soundtrack of the magnificent Lord of the Rings films is simply superb – from the beautiful airs of the songs to the more martial theme of the horse lords that stirs up the blood for a cavalry charge against the Orcish hordes…

And on a non musical note, Lindsey herself is incredibly cute and Elfin.

You’re a creep, Charlie Brown…

This re-edit of clips from the old Peanuts animated cartoon showcases poor old Charlie Brown against the Vega Choir’s beautiful cover version of Radiohead’s fabulous song Creep. It suits it so well, both funny and quite sad at the same time, seems so appropriate for Charlie Brown, one of the nice guys who always seems to get the rough end of the stick be it in baseball or his quest of the little red-haired girl…

Happy 100th, Vincent Price!

Today marks the 100th birthday of one of my all-time favourite actors, the distinctively silky voiced Vincent Price. I’ve loved Vincent’s movies since I was a teen; even if the film he found himself in was cheesy he, like Peter Cushing, always treated it seriously and gave the fans respect and that always shone through. Dr Phibes, the Tingler, Witchfinder General, the fabulously colourful collaborations on Edgar Allan Poe with the equally legendary Roger Corman, right up to his final role, a small cameo in Edward Scissorhands, as the gentelman inventor, there because Burton adored him too and had made his first short animated film called Vincent and asked him to play this little cameo as a homage and tribute. Away from his horror roles he was, again like Cushing, a very gentle, gentleman, refined, thoughtful and also a world class expert on arts and antiques, so much so that Jackie Kennedy sought him out as a consultant in the 60s. Still adore Vincent and oh, that voice… Here he is in his collaboration with another of my faves from horror, the great Alice Cooper, lending that distinctive Price voice to The Black Widow…