“I do what I do because it’s right. Because it’s decent. And above all, it’s kind. Just that. Just kind.”
Peter Capaldi’s Doctor articulating a damned fine philosophy in Capaldi’s season finale of Doctor Who. I hope those words sink into many of the younger viewers of Doctor Who and stay with them. Fictional heroes and their examples can be as important to our development as the real world heroes, and it’s clear with this line that Steven Moffat understands this and is trying to make sure we got the hero we needed. Perhaps one day when they are older one of those former child fans will be faced with a difficult choice and they will think back on those lines, and they will know where they need to steer their moral compass.
(Neil Gaiman and Audrey Niffenegger just before their event at the Edinburgh International Book Festival yesterday afternoon, all pics from my Flickr)
On Wednesday I had the pleasure of seeing two excellent authors of both prose and comics works in conversation at the Edinburgh International Book Festival as Neil Gaiman chatted to Audrey Niffenegger. It was, as Neil commented, a kind of continuing chat between the pair which has been going on and off for several years on different continents at different book events and here they were chatting to one another again “while we just had to watch and listen”. Of course we were quite happy to watch and listen…
The hour-long talk to a packed audience (the event sold out within a few hours of the EIBF box office going live this summer) covered a number of writing topics, from folklore and myth to children’s books, novels, comics and screenwriting, starting off with a look at myth and fairy tale – Audrey asked Neil what he thought the difference was between them and after thinking about it he offered the thought that perhaps myths decay into fairy tales and folklore over the centuries, often starting out as sacred mysteries people were initiated into, which over time degraded into mythology, which slowly degraded into fairy tales, but that the same stories and archetypes remained and repeated (and given his quite excellent use of folklore over the years I’d guess Neil is the perfect writer to ask on that score).
Of course comics came up and it was nice to note Neil yet again commenting on the debt he owes to his friend Alan Moore for his help and advice on writing for the comics medium, and in a (somewhat long and rambling) question from an audience member later he was asked if he found being able to use parts of the DC Universe in the Sandman (especially early tales) a help in setting up that world. He explained that while he could have essentially created a pretty similar set up with only original characters he was still quite happy at getting to play with some of DC’s established characters in his own way, with a special fondness for Cain and Abel.
Look: it’s the new life-sized Neil Gaiman action figure – fully poseable!!! –
On the books front one of the topics that pricked up my ears was Neil talking about a sequel to the brilliant American Gods novel, with the possibility of a third book much further down the line. Naturally the subject of screenwriting came up and especially being asked to pen an episode of Doctor Who. I knew Neil was thrilled to write for the show – like many of us in the UK he grew up with the original show, so having the chance to be a part of the cracking revived version today had to be pretty exciting. He told us all how it began with Steven Moffat dropping him a line to say thanks for the kind things he had said many times on his popular blog about the new Doctor Who and that next time he was in London he’d buy him a drink. As it happened he was in town the next week, he and Moffat meet up for dinner and drinks; at this point Neil had heard Russell T was due to leave the show and Moffat would be taking over, but it was still, as he put it, ‘a state secret’ (a real state secret, not like MOD secrets to be left on a laptop on the train), so they found themselves talking ‘hypothetically’ about the possibility of pitching ideas for the show, before Moffat came out and said you obviously know and I know you know I’m taking over when RTD leaves, so do you want to write for Who?
Well obviously he did and we loved the result. The story was originally going to be called Bigger On the Inside, as Neil had originally thought of an idea which involved a Nasty invading the normally safe environs of the TARDIS and pursuing the Doctor through the ship, but then he thought as the Doctor knows the TARDIS so well that wouldn’t be much of a fight, so then the idea of an entity possessing the TARDIS came to him, which suggested he had to move the TARDIS’ persona somewhere else, and the idea of putting the TARDIS mind into a human body came along. He tells Moffat who delightedly cries “TARDIS woman!” A little later, with the episode put back to the next season due to budget constraints (which worked to their advantage, he added – they got their Blue Peter competition running for kids to design the junkyard TARDIS console and he also now had Rory to add into the mix which he enjoyed), Moffat tells him he prefers another title – The Doctor’s Wife. Nice, but, Neil points out to him, that would be a good title for at least half a dozen other possible Who stories that they would do themselves out of. Ah, but Moffat points out to the other ideas, good thought they might be none would ever be really the Doctor’s ‘wife’ in the way the TARDIS is, she’s everything to him and always will be; companions come and go but the Doctor and the TARDIS are together forever, “a boy and his box exploring the universe” as Neil put it. He also went on to say that working with the Who team was one of the most pleasing experiences in collaboration he’d ever had and it was clear he was still on a roll from the enjoyment of being involved with the show and how well it all turned out, how much love and imagination the Who team add in alongside that of the writer to make that show what we love.
As ever there was a signing session afterwards and with Neil that of course means a very, very long line, inside the signing tent, snaking outside and out into the square – I even spotted a number of comics folks who had lugged along the not inconsiderable bulk of their Sandman and Death Absolute Editions to be signed. Brilliant event – thanks again to the lovely folks of the Edinburgh Book Fest for letting me attend and to Neil for kindly letting me stooge around the press tent to snap a couple of pics of him and Audrey before the show began.
Just been released, new version of Peter Davison’s 5th Doctor along with the same era’s Master incarnation (as played so well by the late Anthony Ainley). I really want these for my desk to go next to my Tom Baker figure; Baker then Davison were the main two Doctors when I was growing up, so they’re always going to be ‘my’ Docs.
And at the same time there’s a new figure of Davison’s Doctor as he first appeared right after the regeneration scene at the end of Baker’s swansong in Logopolis/start of Davison’s first story, Castrovalva (since the former lead directly into the latter), the Doctor now regenerated into his new form but still clad in the previous incarnation’s clothes (Baker’s later period costume of the long, burgundy coat and matching scarf):
Brian Rimmer presents a time-travelling musical slide through more than forty years of theme music and opening sequences to the world’s longest running science fiction show, Doctor Who. I confess my favourite remains the Tom Baker era ‘time tunnel opening (the main Who era for me growing up), with the same ‘slit-scan’ technique used in the stargate sequence for 2001, but it’s fun to see them all back to back like this, from the early Hartnell era of 1963 (and the logo that looks like ‘Doctor Oho’ for a second before becoming ‘Who’) through to 2010’s revamped opening and music for Matt Smith’s Doctor. And through it all that immortal, iconic bass line, duh duh duh duh, duh duh duh duh, that’s been reworked endlessly across the decades by various arrangers for the show and by other musicians like Orbital and Pink Floyd; those bass lines were the signal to generations of kids that it was Saturday, tea-time and that meant marvellous adventures and scary monsters (and jelly babies). How lovely that it still means exactly that to a new generation of kids watching the new show and still loving it. (via BoingBoing)
Now this I want – although I may run out of desk space for all of them. All eleven Doctors, from Bill Hartnell’s original 1963 Doctor through to today’s Matt Smith in one set. Far too good for just kids!
Just announced new Doctor Who action figures based on the final two part tale that saw the end of David Tennant’s tenure as the Doctor, there’s a set of End of Time figures coming soon, with the injured Tennant Doctor, the blonde Master, Timothy Dalton’s impessive, be-robed Time Lord and – wait for it! – the first Matt Smith Doctor Who action figure, with him right after the regeneration, still in the previous incarnation’s clothes.
And on the fun side there’s also a new Time Squad set of Doctor Who figures coming, with the collection coming together to assemble a Master figure. Funky!
This fan-made anime-style Doctor Who is pretty bloody good – Jon Pertwee era Doctor kicking it Japanese anime style with his Venusian Aikido, genius! I’d love to see a pro version of this authorised by the Beeb:
The penultimate episode of ITV’s Primeval comes up this Saturday and its penned by the very fine novelist, screenwriter and comics scribe Paul Cornell, who was also responsible for some of the finest episodes of the new Doctor Who – “Father’s Day” and “Human Nature”. We were lacking time for a full-length interview but I couldn’t let it go past without marking it and Paul kindly took some time out to answer a few questions for the Forbidden Planet blog, should you fancy a read before the episode airs on Saturday evening.