Stan and Ollie,
Directed by Jon S Baird,
Starring John C. Reilly, Shirley Henderson, Steve Coogan, Nina Arianda, Danny Huston
This is one of 2019’s films which I have been eagerly awaiting. I should explain that my father ensured as a youngster that I was brought up in The Faith: Buster Keaton, Harold Lloyd, Tom’n’Jerry and of course, Laurel and Hardy. We still watch their films together today. So you will understand that while in some ways I may be predisposed towards a film about one of the greatest filmic double acts of all time, my lifelong love of Stan and Ollie also means I could be more critical of how anyone portrays them. I imagine that for many of us that will be the case, L&H have engendered life-long love in us, it’s not easy to see someone else portray them. Well, friends and Sons of the Desert, you can breathe easy, for Coogan and Reilly are clearly like us, in love with Stan and Ollie, and it is obvious this is a great labour of love for both of those actors, determined to do justice to their cinematic heroes.
While the film mostly circles around the events during Stan and Ollie’s final tour, through post-war Britain (their final performances together), it opens in 1937 in the legendary Hal Roach Studios, with the pair getting ready to film the dance scene from the brilliant Way Out West, while arguing with Roach (the always excellent Huston) about money and control of their films, hinting at the break which will come soon when Stan, his contract finishing before Ollie’s, tries to break out and set up in control of their own films, but Babe doesn’t follow for various reasons, causing a personal as well as professional rift just as the pair are at the peak of their global stardom.
Moving forward to the post-war era we find the pair being dropped off at their hotel in Newcastle for the start of their UK and Irish tour (the one which would finally prove to be their last). It is clear from the start that their star has fallen – the hotel is just a general inn, not one of the fancier, big hotels you’d expect Hollywood royalty to be staying in, and then they find that the smooth stage impressario arranging their UK tour has them booked to play small venues, not the big theatres. And even those smaller venues are not exactly packed. While they are still a beloved act, it has been many years since they performed in a film together, and it seems the fickle public demand and attention has slipped away from the duo. Fortunately some PR stunts (you can see many of those in newsreel footage on YouTube) helps to whip up interest and leads to a boom in ticket sales.
The film, however, isn’t really about a pair of stars trying to continue years after their heyday, however, that is just the backdrop; the real story here is about friendship and love, the stresses and strains of a long relationship. We all know from our own personal experiences that even our oldest friends can sometimes drive us crazy or upset us (and we them), and how much harder are those strains when you add global fame to the mix? There are sparks of the old magic, laughter mixed with a tinge of melancholy, moments of bitter recrimination and regrets voiced to hurt, but most of all there’s a feeling of two men who for all of that remain closer than close, their personal timing (that hallmark of all great comedians) so beautifully attuned to one another’s rhythms. “I love him,” Stan tells his wife, simply. In another scene after Ollie falls ill Stan lies down next to him in the bed, like one of the film scenes, comforting his old pal, his other half, arguments forgotten.
Coogan and Reilly’s performances are simply outstanding. It isn’t just that they re-create the look and mannerisms (even the expressions) of Stan and Ollie, it’s deeper than that. This was a partnership that flourishes for years, the two perfectly attuned to each other’s beats, the sort of partnership that comes out of years of being together, and somehow Reilly and Coogan summon up that feeling here, they really come across as if they are a couple of pals who have known each other for decades, their timing and interaction is that convincing. The film itself made me both cry and laugh, it is touching, in places reflective, but it also celebrates one of the great filmic partnerships, it celebrates their work, work which has lasted it through the test of time, it celebrates the pure joy that Laurel and Hardy brought to millions.
The recreations of some of their classic scenes in the film still reduced the audience I was with to gales of laughter, they still worked, they still made the audience roar. There are so many hard trials in life, but there are also those moments of delight and joy, and for many of us Laurel and Hardy were there to be one of those sources of joy the world needs. They still are, and this film celebrates that legacy.