“Turn left at the screaming woman with a collapsing face. Turn right at the kneeling man with bleeding sores the size of teacups. If you come across a big-breasted bear with a child’s head in her jaws, you’re going the wrong way.”
Right from this opening paragraph Jeremy C Shipp’s novella The Atrocities crafts a delightfully, delectably creepy sense of unease. A tutor coming to a mysterious, isolated old home is, of course, hardly new in the fantastic genres – the governess in an old mansion with peculiar owners and even more peculiar children has been a staple of Gothic fiction since the 1800s, and the Old, Dark House has haunted our fictional nightmarescapes for just as long. It’s been quite a while since I came across someone opening up that particular playset again though, and I’m glad to report Shipp not only plays with an old generic type, he twists it and has fun with it; clearly he has a lot of love for some of those older tales, and that shows in the craft and attention to building mystery and atmosphere in The Atrocities.
The garden maze and bizarre, disturbing statuary could have come from the Addams Family mansion, but the constant, growing sense of unease, of things simply not being right, owes much to masters like Poe – there’s a feeling of dread growing throughout this book. On the surface it seems a very straightforward appointment: Danna has been engaged to tutor Isabella, the young daughter of Mr and Mrs Ever in Stockton House. There’s one somewhat unusual factor here though: Isabella is dead. Deceased. She has ceased to be, joined the Choir Invisible.
Mr and Mrs Evers, however, do not see this as any reason she should not have her education continued, like any proper young lady. Isabella is, according to Mrs Ever at least, still here, a phantom, and a playful impish one at that. Danna can see why previous teachers declined to stay, but is talked into giving the post a go, mostly because it may be emotionally helpful to Mrs Ever, who is unable to let her little girl go – has she lost the balance of her mind due to her grief, imagining that Isabella is still with her in her home, in spectral form?
Naturally there is much more going on here, but given how short this is, I’m not going to risk potential spoilers by dropping any major plot points. Besides, as with Poe the real prize here is the brooding, menacing, disturbing, Gothic atmosphere. That’s not to downplay the narrative here, which works beautifully – I’ve always thought shorter fiction is a good way to measure some writers, it is, contrary to what some think, harder to build a solid story, create characters and craft atmosphere in a short space, compared to a full-length novel. When someone does so, as Shipp does very well here, it is, to my mind, a mark of someone who really understands their craft.
Tor has been putting out some quite brilliant novellas and novelettes in the last couple of years, science fiction, fantasy and horror, and we’ve been loving them on here. A brilliant way to experience writers you may not have read before, also ideal for a quick read electronically, and The Atrocities is a very fine, hauntingly creepy addition to that range.
This review was originally penned for the Forbidden Planet Blog