The Setting of the Sun

I took a walk on New Year’s Eve (also my birthday), and watched the final sunset of the decade from the roof terrace of the National Museum of Scotland, which is one of the finest (and free) spots to look out across the Old Town’s remarkable cityscape and geology (the one is closely entwined with the other). Last, tiny sliver of the sun about to vanish below the western horizon:

Last Sunset of the Decade

And just a few moments later, looking the same way but the sky now afire, the sun set early as it does in winter, but the heavens a glorious molten copper, a last hurrah of colour before the early winter night falls across the city:

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This was a long zoom towards Calton Hill – you can see a huge crowd gathered around the old Royal Observatory (now home to the Collective Gallery) to watch that last sunset of 2019:

Waiting for the Sun to Set

Similarly when I turned the camera towards the east and Arthur’s Seat, the huge extinct volcano which dominates the royal park of Holyrood in the heart of Edinburgh, I saw a crowd of figures along the summit, watching that last sunset:

Watching the Last Sunset From on High

Also looking east from the roof terrace, the handsome dome of Old College caught in the dusk light – if you click on the original on Flickr and look at the large version you can just see the distinctive triangular shape of North Berwick Law much further down the coast at the bottom left of the dome in the background:

Sunset on the Dome

Festive Market

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There’s been a festive market for quite a few years now in Edinburgh – it started as a small, traditional German Christmas market around the plaza on the Mound by the galleries, and a small part of the adjacent east Princes Street Gardens. However in recent years, especially under the events company Underbelly (which has been a major player in the Festival Fringe for years) it has expanded dramatically as part of a larger festive and Hogmanay programme.

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We’re well used to disruption from the festivals in the summer – Edinburgh is, after all, home of the largest arts festival on the planet (and the largest literary festival and the longest continually-running film festival). But the scale and the disruption it causes is starting to seriously anger many citizens, and the complacent response from the promoters and council lackeys isn’t helping. This year the entire east Gardens has been covered in the festive market and fair, so that entire, huge space which is meant to be a shared green space held in common good for the people is anything but. Meanwhile the promoters are, two weeks or more before the events, preparing the west Gardens for the New Year concerts and have fenced off huge swathes of it. So now the public cannot access most of that green space either, both given over to crass, commercial ventures aimed purely at tourists and meanwhile robbing Edinburgh citizens of their entitled green public space that belongs to them

Oh and did I mention the market is illegal?? The promoters didn’t apply for the building permit they require for an erection on this scale, and they and the council kept this quiet, but it leaked out and the local heritage bodies highlighted it, forcing the council and Underbelly to respond, albeit in bleating, weak, pathetic ways, giving no credible reason for such incompetence on the part of both bodies. Then it turns out the same happened last year but they kept that quiet too. Meantime in related events a festive event on the Royal Mile saw huge blocks of stacked freight containers dumped on the middle of this historic area and the streets closed off. The organisers didn’t bother to tell local businesses though, who found out their staff couldn’t even get to work because of this (yet the organisers keep telling us how much these events help “local business”).

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Still, much as I have gone from originally liking the early versions of the traditional German market to loathing the vulgar, hiugely commercial monster that now robs our city of its open spaces and allows greedy commercial companies to hijack entire public areas of our city for their own use while castigating citizens for daring to be concerned – not to mention angry – at this, it does make a good spot for some nocturnal people-watching photos (I take pics around it, but I am not buying anything there).

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Cymera 2020

Back in June I was delighted to both attend and also take part in the very first Cymera Festival of literary science fiction, fantasy, YA and Horror here in Edinburgh, at the Pleasance (here’s my report and, of course, photos). It went amazingly well, especially for a first time outing (huge kudos to Anne and the other organisers and volunteers),I caught many panels with a wide variety of authors, some new to me, some old friends I’ve known years, and had the pleasure of chairing a talk with Ken MacLeod, Gareth Powell and Adrian Tchaikovsky about their books.

I’ve known that a second Cymera was being planned for June 2020, and now the festival has started its Crowdfunder appeal. I’ve already backed it as I did last year (which also gets me the weekend pass so I can come and go to any and all events through the whole festival, a bargain and dibs on booking which events I want to catch). If you enjoy good science fiction, fantasy, YA and horror literature then this is an event I highly recommend, and unlike many SF cons I have been to, it is in a nice venue in the city centre, not some out-of-town hotel. The Crowdfunder page is here, and there is a short promotional video (warning, the video does include a little bit of me!):

Heron

Out for a walk with chum and his hounds, spotted this large heron on a pile of rocks in the River Almond at Cramond:

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This was next to the old Fair a Far Mill by the weir on the Almond (or as I thought it looked like that day, the ruins of the Palace of Autumn Leaves):

The Ruins of the Palace of Autumn Leaves

The mill dates from the 1700s and was still operating into the late 1800s, and in later life became a metal working shop as well. Sadly many of the buildings along the river were destroyed in a huge flood during the 1930s, today it is a scenic ruin on the path by the Almond, a popular spot for walkers, on the outskirts of Edinburgh.

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Nighthawks

A couple of quick, handheld night shots take on the way home from work. This used to be an NYC style diner years ago and is now an Italian restaurant, near the Playhouse Theatre. The way it juts out at the corner of this block, and the large, plate-glass windows and bright interior light kept drawing my eye and I thought it would make an interesting after-dark photo. The fact it had been raining last night, so the pavements were glistening under the street lights, just added to it and it was begging for me to shoot it in black and white (and yes, the title is a nod to the famous painting):

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Night Moves

With the clocks going back it is darker earlier each evening here now. Some find this depressing, the long, dark nights. I quite like it, and it is a good chance for some night photography! Sometimes I am out with the tripod taking them properly, other times they are often improvised, taken on the way home from work when I have no tripod handy so I go handheld for rough shots or use things like railings and pillars to sit the camera on to steady it in lieu of the tripod. This is an improvised shot by the Union Canal, the steel skeleton of a new building under construction on one of the last brownfield sites left from the former Scottish and Newcastle Brewery complex which used to dominate this area for years.You can see the flat-topped railing I used to sit the camera on to steady it in the image:

Construction at Night

Another improvised shot on the same night by the Union Canal, bracing the camera against a mooring post to get this image of this houseboat at night – how cosy does it look against the cold, dark night? And below that a short from just a few feet further along looking to the old Leamington Lift Bridge.

Cosy Floating Home

Union Canal at Night

Rough handheld shot in lowlight mode at dusk in Bruntsfield, looking into the windows of Project Coffee – I think for this kind of pic the roughness of the freehand shot actually works:

Project Coffee at Dusk

Zebra crossing at night, Polwarth, another freehand shot walking home from work:

Night Crossing

Another handheld shot, this is the Telfer Subway at night:

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Heading down through the lower part of the New Town to my book group, had been raining a little and the cobbled roads by Drummond Place had that glistening look to them under the street lights:

Drummond Place at Night

Walking through the old boneyard of Saint Cuthbert’s at night – peaceful very dark and quiet and yet only a few steps from busy Lothian Road and Princes Street, bustling with people and traffic, yet down here the quiet of old tombs, the crunch of fallen autumn leaves and so much darker than it looks in these pictures where I could do long exposures. The things you spot, different little realms just a few steps away from busy main streets, if you go a few steps off the main thoroughfare in Edinburgh:

The Path of Night Walks Through the Realm of the Dead

Saint Cuthberts at Night

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And look a the view of the Castle you get from the old graveyard:

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And here’s one taken with a new toy, a cheap LED light panel that fixes to the camera’s flash gun shoe – I turned it on and took a walk through the old graveyard near my flat. The middle is deliberately allowed to become overgrown to become a mini urban wildlife area, and during the day you can hear all sorts of sounds, from twigs snapping to branches rustling. At night you hear even more of it but can’t see the animals making them, just hear the sounds from the undergrowth between the older tombstones. In the darkness of the walled boneyard, you can imagine how creepy that feels, as if something is following you through the cemetery. For added effect I took these on the way home on Halloween:

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Autumn Colours

Autumn colours in Princes Street Gardens, just below the Castle:

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And a closer look at the leaves as they change before falling – the grass below them was carpeted with fallen leaves of red and gold:

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And while I was walking through the trees I met this charming wee, bushy-tailed chap:

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Row, row, row your boat

Arriving early for work I had a few minutes to go grab a coffee and have a walk along the Promenade at Portobello. Gorgeous autumn morning, cool but beautiful autumnal light on the Firth of Forth, when I spotted the sailing and rowing club folks out in the lovely old skiff Jenny Skylark, having an early morning row, so I snapped off a few shots before I had to head into work:

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A vry different scene to a month or so back when the haar had settled on the Forth – I saw the rowers out in the skiff, but only dimly, moving through the sea mist just off the shore at Porty, and managed to get these pics, very different weather from the other pics!

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Swan Life

I saw the Union Canal swan family on my walk home at the weekend. This year the usual mating couple of adult swans had nine cygnets, back in the early spring, and I have been taking photos of them and watching them over the last few months. Back in mid-May they were just these tiny little balls of adorable fluff:

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By June they were growing, the fluff moulting out and their grey feathers starting to appear, as they got larger:

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By August they had grown to around the same size as their mum and dad – here they are being hand-fed by the lady who runs the Union Canal Swans twitter feed which reports on them:

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And now in September they have learned to fly, with most of the babies having now left the canal and gone off to find their own spot, probably one of the nearby lochs like those on Arthur’s Seat, where large groups of young swans stay until they mature (and the grey feathers go to white), then they find a mate and strike out to find their own spot, like their mum and dad have on the canal near me. I passed them at the weekend, and now there is only one cygnet still with the parents, the left have flown the nest. It’s remarkable to see them go from tiny creatures to these large, elegant birds taking wing in just a few months, a small miracle right here in the middle of the city, but at the same time it is also sad to see them leave.

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Family Outing Vid

Sunset Beach

Last weekend saw a burst of glorious, golden, autumn sunlight and unseaonable warmth for a couple of days. I met my chum after work at Porty, then we had an amble along the Promenade, still busy with nice weather even as evening fell. We got a seat outside the Espy for food and drink right next to the beach and as we sat there for a few drinks, we watched the light change every few minutes as the sun declined and the night crept over the beach and the Firth of Forth. Beautiful.

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Some people sat on the beach just watching the slowly setting sun, others had fires going and enjoying a romantic moment by the sea, others, remarkably, were still going for a swim! Must have been freezing!!

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Cymera

From 7th to 9th of June I was at the very first Cymera festival of literary science fiction, fantasy and horror at the Pleasance in Edinburgh. I was chairing a triple-header with Ken MacLeod, Adrian Tchaikovsky and Gareth Powell, which turned into a very enjoyable event with the guys discussing their own work and space opera in general, as well as how they approach creating their works, from plot to characters to world building.

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On the first evening I saw Richard Morgan, who I haven’t seen in person for years. Some chums and I were early supporters of his work when his first book, Altered Carbon (now adapted by Netflix, with a second series on the way) came out back in the day (I still have my signed first edition).

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I caught a great discussion by Samantha Shannon – I liked her Bone Season, and several of us in the bookshop have been eager to have a look at her new standalone book (it may eventually be joined by other books, she said at the event) The Priory of the Orange Tree, the only problem being it is a huge tome and if I start on that (and I do want to!) it means several others books waiting on my pile.

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Obviously I couldn’t take any of the event I was chairing, but here are Gareth Powell, Ken MacLeod and Adrian Tchaikovsky about to sign for readers after our panel:

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This is Mike Cobley, Gavin Smith, and SJ Morden being interviewed by Andrew Lindsay at Cymera:

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Charlie Stross and Jonathan Whitelaw being interviewed by Andrew J Wilson:

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I hadn’t read Helen Grant, Clare McFall or Rachel Burge’s books (yet), but their panel on supernatural fiction sounded pretty interesting and I had a gap in my schedule, so I decided to check it out (trying new creators is part of going to festivals, surely?), and it proved to be very intersting (and a little spooky!)

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James Oswald (and his trademark pink jacket) is best known for his bestselling crime fiction (with a supernatural element), but his first love was fantasy and he began writing with his Sir Benfro series, which he discussed here with writer, tutor and former 2000 AD editor David Bishop:

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I really liked this element of Cymera – Brave New Words. Before the events in the main theatre new writers were given a few moments to do a reading from their work, a nice way to support new talent. Here’s Justin Lee Anderson –

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Den Patrick, Leo Carew and Rebecca Kuang discussing their fantasy worlds:

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I really enjoyed Tade Thompson and Aliette de Bodard’s talk, which took a different angle from more common Western cultural tropes. Tade’s debut novel Rosewater made my Best of the Year list for 2018 and the sequel Insurrection, out just a couple of months ago, is even better (reviewed here). I have Aliette’s books on order…

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Organiser Ann got a suprise ceremony and gift at the very end of the weekend as thank you for the whole festival. It was pretty damned amazing, especially for a first outing – I talked to a lot of writers and readers, and they all enjoyed themselves. Hats off to everyone who took part and organised it, fingers crossed it becomes an annual event.

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New life

Out walking along the nearby Union Canal, and at last managed to get some decent photos of the swans with this year’s cygnets. I’ve managed to bag pics of them in previous years (I wonder if it is the same swan couple who return to this area each year?), and had heard from friends that they and their babies were in the area, but each time I walked along that way I didn’t encounter them, until a few days ago.

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The whole family was on the ramp by the towpath, across from the old boathouse at Harrison Park, some preening themselves while out of the water, others sleeping, while the mother and father swans kept guard so nobody got too close. I managed to take several photos, the cygnets still in the utterly adorable “fluffy” stage of down rather than full feathers yet, beautiful wee things. Amazing the magical sights you can find just a few moments from your home…

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I’ve seen the swans and the ducks along this stretch of the canal with their babies a number of times over the years, but each spring it is still something special and quite wonderful to see, and with so much uncertainty and trouble in the world it’s no bad thing to be reminded of the magic and beauty of nature all around us.

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And there goes the whole family, off for a wee paddle down the canal after their rest!

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