This gorgeous video shows you the journey of a photon from the sun (well, the surface of the sun, I imagine – the journey from core to surface of the sun takes far, far, far longer), out into the solar system and all the way past the inner, rocky worlds until it reaches mighty Jupiter, king of the planets, all taken in real time. The speed of light is fast – the fastest thing we know of (so far, not counting possible existence of supralight particles). So fast, as one writer observed, that most civilisations take millennia to realise light even travels at all. But when you move out into the vast distances of space even the speed of light seems tardy by comparison. It’s some eight minutes and twenty seconds just to reach us on Earth, and we’re only the third rock from the sun. “Riding Light” takes us out beyond the terrestrial worlds – Mercury, Venus, Mars, Earth – then on, avoiding the tumbling asteroid belt, until it reaches magnificent Jupiter, some forty five minutes later:
Directed by Mark Craig,
Featuring Eugene Cernan, Alan Bean, Dick Gordon, Jim Lovell
“That whole time, that’s the time I call ‘sitting on God’s front porch.”
Those are the words of Gene Cernan, naval aviator, engineer and NASA astronaut, on his three days on the Moon as commander of Apollo 17. The last of the spectacular lunar Apollo missions. Gene was, quite literally, the last man on the Moon. Astronauts, cosmonauts, taikonauts, they’re a select cadre, a group who even now, more than fifty years after the first manned space flight by Gagarin, are composed of only a tiny group of people, the few who have flown above the clouds, above the very air we breathe, to enter space, to float around our glowingly blue world and see it as no-one else in the history of the world could have before space flight.
But among that select group the trailblazers of that first era of manned space flight stand out – Gagarin, Glenn, Shepherd, Leonov. These men really did go where no-one has gone before. Spaceflight is incredibly dangerous – you ride into orbit at vast velocity atop what is basically a carefully controlled series of explosions with a thousand things that can go wrong, to enter an environment Earthbound life was never meant to survive in, where a small mistake or fault can lead to death. And in the first years it was all entirely new – nobody even knew for sure if humans could live in space, could you even eat and digest while weightless in your orbiting capsule? Would cosmic rays kill you or fry your electronics leaving you adrift before you could do anything? Could you survive re-entry?
(Above: Cernan poses for an official portrait in his spacesuit; below: Cerna in a less formal pose with his young daughter)
Cernan was there right in the earliest days, one of those elite pilots recruited for the astronaut corps, starting with the Gemini programme, and this film draws principally on his autobiography. Cernan starts as the reserve crewmember but after an awful flying accident to the main crew he is moved up to the mission – rather mixed feelings, to say the least, getting his dream tickets, a chance to soar into space, but getting that first chance because his friend and fellow flyer died tragically. And that part covering the early years of Cernan’s life at NASA , sets the tone for this entire film – this isn’t just about those first astronauts, about the setbacks and the triumphs. Those have been documented many times – deservedly – but here we have a much more personal and importantly a much more emotional film. This is still about those gloriously heady days, pushing to be the first to reach the Moon, but it is just as much about the emotional and psychological cost for the astronauts and their families.
“If you think going to the Moon is hard, you ought to try staying home” – Cernan’s wife on hearing of a flight mishap during Apollo 10.
Cernan, to his credit, does not try to paint himself or his fellow Apollo astronauts who take part in this film as the simple, heroic figures history likes to portray. Which is not to downplay in any way the risks they faced, the amazing science and engineering it involved, the boundaries they pushed, the new frontier they charted. It was heroic. And like most things heroic it is too easy to forget behind those stories there is just a normal person – doing the extraordinary, to be sure, but still a person, like any of us. A person with loved ones around them who have to share that dream with them, who also have to sacrifice, who suffer emotionally. Not just the obvious worry over whether husband/dad/brother will come home safely. We’ve all seen those prim, seemingly serene NASA wives of the period watching the mission on TV with their kids and projecting the expected image of pride and confidence when really they were terrified of what could happen, but would never show it in front of the camera.
Cernan pulls no punches on that front – he comments that in many ways the astronauts were quite simply selfish; oriented totally on their goal, the mission, the training. Meanwhile real life was rolling on and it was the wives who had to make sure the kids were looked after, got to school on time, the bills were paid, household chores and repairs were done. Wives essentially had largely absentee husbands, children absentee fathers; they couldn’t stop training or being focused on the mission, there were only a few flight slots and only the best of the best would get that chance. And so they sacrificed – on the job, Cernan paying his dues flying Gemini then Apollo 10, the last flight before Armstrong’s historic landing, so close he could almost touch the Moon but knowing that first landing was not to be his (his respect for Neil shines through any disappointment at that). And it was a vital part of proving they could get men there and fly home, critical to the success of Apollo 11. As Cernan notes of those preparatory missions – “Not many people remember Apollo 10, but I do. And I’ll tell you someone else who did – Neil Armstrong.”
And later he gets his ultimate reward – and what a reward, what the calls his “personal moment of reckoning”, command of Apollo 17. With cutbacks looming after several successive lunar missions, it will be the final one leaving some who trained and were ready for their mission to never reach that goal. Where Armstrong and Aldarin have a short time on the surface the later missions had several days and the remarkable Lunar Rover, a hi-tech, Space-Age dune buddy for the Moon, so they could travel further and explore more, pick up more diverse samples to study back on Earth. And in an incredibly touching moment Cernan recounts how he parked the Lunar Rover for the last time, a little away from the landing module (LEM) so it could remotely film their take off.
(Cernan on the Moon, by the Lunar Rover, the red commander’s stripes marking this out as his suit; below, the view from the trip round the Moon, the Apollo missions the very first time any human being had been far enough away to see the entire disc of our world, and to to share that image with all of us. We’ve grown up knowing what our entire globe looks like hanging in space, something all the thousands of generations before the late 60s never got to see)
And as he dismounted to walk back to the ship for the final time he paused. And there in the ancient, dusty surface of the Moon he wrote his young daughter’s initials. Which, like Armstrong’s footprints will, in that airless vacuum, essentially remain there forever. As far from home as any humans have ever been, sacrificed so much home and family life to be there, to land on the Moon, and suddenly all he can think of is home and his wee girl. It’s beautifully touching. If any future mission – and who knew back then that almost four decades on we’d still not have returned – lands and visit the Rover, those initials will still be there.
“Walking up the ladder was probably one of the most memorable moments for me, because I looked down at my footprints and I knew I wasn’t coming this way again. Why were we here, what did it mean? I looked over my shoulder: there’s the Earth, there’s reality, there’s home. I wanted to press the freeze button, I wanted to stop time, I really wanted to reach out, take it in my hand, stick it in my spacesuit and bring it home to show to everybody, this is what it looks like, this is what it feels like.”
And the last man to walk on a surface not of our Earth climbed the ladder to the LEM and Apollo 17 headed home. But it still wasn’t over, not really. Hard to recall now, but the early astronauts were global figures, international celebrities in a way the preening media darlings of today could never dream of, with tens of thousands lining routes to wave to them on visit. From Gagarin through to the Apollo crews, they travelled the world – presidents, celebrities, scientists, millions of ordinary people, all wanted to see them, to hear them speak, the glare of media followed them, and as Cernan’s then wife notes it becomes too much. They sacrificed for years for his training and the mission, and now it is over, but still they are in the spotlight – when do they get to be a regular family, have an ordinary life again? Too much for many – some sixty percent of the Apollo astronauts, including Cernan, would end up divorced due to the stresses and strains. The physical return to Plane Earth was relatively gentle, a splashdown in the ocean, but the emotional and psychological effects of having to come back to Planet Earth, to real, daily life, was far bumpier.
(tired and covered in Lunar dust – making history can be dirty)
This emotional core is absolutely central to director Craig’s film here, and it gives a much more satisfyingly rounded and human insight into some of the most remarkable moments in recent human history, and those who made them happen. He doesn’t stint on the astonishing nature of the Moon missions or the glories of Apollo – period film, both NASA and family home movies and photos, all create visuals for both the missions and the families dealing with the effects of training for those historic flights, while some very well-done CG effects are added to the visuals, giving us a view we otherwise simply couldn’t have. But he balances this constantly with what it cost in terms of emotional and family life to do what they did.
And there are some wonderfully emotional scenes from the present day – Cernan returning to the Cape, to the old Apollo launch pad. It looks like the sort of thing any good film-maker would shoot – the subject returning to the scene of their greatest triumphs, where it all happened, where the roar of the awesomely powerful Saturn V rockets lifted men not just into space but all the way to the Moon and back. Except towards the end it is clear Cernan has not entirely enjoyed this stroll down memory lane, looking at the now empty, unused Apollo launch areas and thinking that he really doesn’t like seeing it like this, that perhaps he should not have come back to see it this way.
(Cernan as he is today, re-visiting the Apollo launch pad, where world-changing history was made, now all silent – a bittersweet moment for the astronaut)
And in another immensely touching scene we see Cernan visit the Johnson Space Center, Houston. And there is the capsule from Apollo 17, from that defining, historic mission, the peak of his astronaut career. And it’s a museum piece, viewed by school children not born until decades after he flew in it. He looks at the capsule, still showing the raging fires of re-entry on the shell, and the dummy astronauts inside. Did we really do it, he muses, did we really reach out and do what humans have dreamed of forever, to touch the Moon? What was it all about? How do young people today see this item in a museum and the old man standing by it, looking just like anyone’s grandfather (and indeed he is). Was it all a dream? Did he really once fly in that small spaceship? What will people in another forty years or a hundred or a thousand think looking back at the Apollo days?
I’ve been in love with the idea of spaceflight since I was a very small boy, born at the height of the Space Age; I’ve read and watched so much of the history of those times and those world-changing events. Despite all the documentaries I’ve watched, the books I’ve read, this film still stood out, largely because of that very emotional core, giving a hugely satisfying new insight into those remarkable Apollo days, the human side to the heroic giants who rode fire into the heavens. For fellow space geeks like me this is essential viewing, but for those who just enjoy seeing epic history being presented at a very human level, this is also a remarkable film.
The Last Man on the Moon opens in the UK on April 8th, and there is a special screening with live link up for a Q&A with Gene Cernan on April 11th in many cinemas around the country.
This review was originally penned for the Forbidden Planet Blog
Here’s some vintage video of a conversation moderated by the late Magnus Manugsson, between Arthur C Clarke, Carl Sagan and Stephen Hawking, discussing life, god, science, the universe and everything… Let me just say that again: ARTHUR C CLARKE!! CARL SAGAN!!! STEPHEN HAWKING!!! Three of my heroes of science… Has sudden geekswoon… This was recorded in 1988 – strange to think of the four here (including the distinguished Magnus, who used come into my old bookstore from time to time and was always charming when he did), only Professor Hawking is still with us, a man who was told his illness would claim him when he was still just a young man. (link via BoingBoing)
Climate Changed: a Personal Journey Through the Science,
Climate change – it’s rarely been far from ours news reports over the last couple of decades, and increasingly so in recent years (freak once in century storms happen repeatedly, is it the climate changing and did we alter it?) and just this week we’ve seen a major UN report on expected climate change and the colossal cost to our civilisation if we don’t actually take action. And that action requires a lot more than people in Western nations changing to energy-saving lightbulbs and doing their recycling more – important though those are. And this month also sees Philippe Squarzoni’s approach to this huge scientific-political-ideological-cultural problem in comics form. In pretty weighty comics form, actually – this graphic science work weighs in at well over four hundred pages. This is not a quick read, nor should it be. We’ve seen an increasing number of graphic works tackling heavyweight subjects in recent years and making them very understandable and accessible to pretty much any reader, in the case of books like this even those with only their basic high school level of science learning.
This is not exactly jumping on the bandwagon though – for starters the book first came out in French from Delcourt a couple of years back, and secondly it is quite clear not just from the length but the detail Squarzoni goes into that this is something he has been working on for years. In fact early one we see that this large, complex work actually grew out of a previous bande dessinee Squarzoni had been working on, a book on French politics. As he researched and drew a section on the environment the author suddenly finds himself coming to a halt. When his partner asks him why, he replies it is because he is using phrases like ‘carbon neutral’ and ‘greenhouse gases’. Common phrases these days, we’re all familiar with those terms, right? His partner points this out. Yes, he responds, but what do they actually mean? I’m using these phrases lifted from bits of research and re-using them in my work but I don’t really know what they actually mean, what they involve and what they portend for the future.
And that is, perhaps, the crux of Climate Changed – many of us know these terms, we even use them sometimes in earnest pub discussions. But how much do most of us really know about the subjects these terms cover (Darryl Cunningham, you are excused this, we know you’ve researched it!)? I mean really understand, not just a vague knowledge assembled from the BBC website articles of the Guardian, but know the various aspects of climate change and how they relate to one another – and there is not just one topic here to get to grips with, this is a real multi-headed monster, a hydra of our own making, and we need, badly need, to understand the problems, and how they interact with one another, before we can even start to consider our response to them. Assuming, of course, we have the luxury of time to formulate a response. And also assuming humanity is wise enough to decide to take relevant action. And let’s be honest, recent events where agreed restrictions on targets like emissions being missed (after already being set fairly low to begin with) or even simply ignored by some nations, that latter part is not looking good right now.
Squarzoni, as you would expect, looks at the science behind climate studies and draws on numerous experts to discuss the observed changes, relating them to historical data gleaned painstakingly from sources such as deep ice cores and tree rings, to give centuries and even millennia of historical context. Because we know the Earth’s environment is always changing – it always has, it probably always will, ours is an incredibly dynamic bio system of overlapping, interacting elements: amount of sunlight reaching the surface, various gases at different altitudes in the atmosphere, currents in the air and the great oceans, the amount of ice at the poles or on glaciers, the amount of vegetation, venting from natural sources such as volcanoes… It’s a massively complex system with each component having effects on the other, which in turn cause further effects, from increased flooding to drought, even to the fabled “mini ice ages” (think of those pictures depicting the ‘frost fairs’ on a solidly frozen Thames). And this is before you factor in human activity…
“We’ve started things we cannot control…”
Despite the nay-sayers (and there are still many out there, often those with a large financial stake in the status quo of consume more, make more, want more) too many of these scientific studies clearly show large increases in output from human causes which are interacting with this incredibly complex environment’s variables – the charts leap following the industrial revolution really getting going in the 1800s and the post-WWII boom accelerates this at an astonishing speed. And it isn’t just as simple as more power stations pumping out CO2, or too many cars belching exhaust gases into the air – Squarzoni also draws on economic, social and cultural elements to this debate. Advertising imagery crops up numerous times, symbolic of our modern, Western, post-WWII urge to increasingly consume, tied to the cultural ethos of a capitalism that assumes we can endlessly consume, expand, consume more, expand – more production, more buying.
But we live in a finite system, there are only so many resources, and we are using them at an alarming rate. Not just the obvious resources such as fossil fuels being depleted (and increasingly so, with developing nations industrialising) but the simple, everyday items we all take for granted. Shiny new smartphone to replace the previous one – hey, it’s tiny, it’s just me, how much difference does that make? But multiply by the number being marketed and sold across the globe, the resources used to create them (rare minerals, metals), and the energy of mining those resources then that of the factory… And you get the picture. And don’t even get started on people who drive massive SUVs around city centres, the dirty looks Squarzoni gives repeatedly to a large Land Rover parked in the middle of Lyons speaks volumes!
“We continue to act like it’s nothing. And the worst thing is … it feels pretty good…”
But this isn’t some anti-capitalist diatribe – as Squarzoni points out neither he or any other person in the West has any desire to cut their use of resources from energy to affordable, plentiful food (and industrial scale agriculture is a major emitter of greenhouse gasses), losing our comfortable lifestyle where we have electricity on tap, central heating, easy transport, affordable range of clothing… He doesn’t really fancy cutting his environmental imprint to that of someone living a malnourished life in an underdeveloped nation without clean water, heating, power… And obviously none of us do. But if we can’t believe the lie of endless expansion and ever increasing consumption how do we square that circle of lowering our impact on greenhouse gases and resource scarcity with maintaining a decent standard of living? Especially as, increasingly from the 1980s on a small cadre of oligarchs and super-rich live a publicly indulgent, opulent lifestyle we’re all encouraged to want to emulate (work hard enough and anyone could be a billionaire in a mansion and yacht!). Plus why, he asks, should we ordinary folk decide to cut down on things like flights to cut pollution if the super-rich are swanning around in a Rolls Royce or a giant yacht?
And then there is the developing world – how do rich nations who created much of the pollution and resource consumption problem tell developing nations, no, sorry, you can’t come up to our standards, the planet won’t take it? He has to wrestle with this personal responsibility when offered a dream post, several months artist in residence in Thailand. But as he is in the middle of working on this book and researching the impact of things such as flying how can he in good conscience accept travelling there? He’d love to, but isn’t that hypocritical of him? But if he doesn’t go, but the guy down the street continues to run round town in his gas-guzzling SUV, what different has his personal sacrifice made? And, as his partner asks him, does that mean that he will never fly again? Does that mean the places they’d love to see together will be off-limits for them? What about green technologies? Are some good or just a bandwagon that some big companies (who have given more than their share of pollutants) a new, image-friendly ‘green’ marketplace to exploit? From large corporate installations to the personal, such as solar panels or wind turbines on the roof of our homes, which are actually effective, which will help do a bit to reduce our impact, and which are really just a salve to our conscience?
It’s one of the aspects of this book that makes it so accessible and easily understandable – for all the expert talking heads (which are frequent, but while slightly repetitive as a method, it is nonetheless a good way of getting information from expert sources across to the reader) talking about the Big Picture – what government, massive corporations and trans-global organisations such as the UN are trying to do (or frequently failing to do, depressingly), the sheer array of different experts required to make sense of it all (climatologists, industrial experts, meteorologists, geologists, disaster relief experts, economic experts and more) he continually comes back to the personal level, both from the personal responsibility side of things (what can we do individually? How do we encourage others to do the same so small change become large differences? Why should we if others don’t?) but it also reminds you constantly that the author himself is not a scientist, that he’s coming to this subject himself as an individual and realising from his research that, just as some of the experts are arguing, this is a subject that requires individual responses and changes in lifestyle, but also collective – this is a global problem and no nation will escape effects.
Even if you are lucky enough to live in a country where, say, temperature rises from greenhouse gases are mitigated because actually it makes your region a bit nicer to live in during winter months, you will still suffer because resources from oil to container vessels full of food come in from all around the world. And some of those areas may suddenly stop being so productive. Or may even be under rising waters. And then there are those rising waters – with a huge chunk of our global population (including massive Western cities of millions) right by the coast there will be problems. Perhaps catastrophes (imagine millions being displaced as environmental refugees, both in the developing world and even in the rich, Western nations – consider the thousands of poorer citizens left behind to face the waters in New Orleans after Katrina, but on an even larger scale).
On the art front there are, as you might expect perhaps for a thick tome dealing with science, a lot of graphs, and a lot of ‘talking heads’ as a series of experts from different fields – climatologists, energy experts, economists and more – to deliver large sections of information. But to stop these being too repetitive he also uses a variety of other visual tricks – his obvious love of cinema comes in handy, with frequent visual references to the iconography of film, for instance, and advertising imagery is used regularly, while he keeps grounding this vast subject in the personal with scenes from his own life with his partner and dog, as well as flashbacks to childhood (comparing his journey through life to the relentless change of the world). This also leads to a touching scene further in, as the years go past and their trusted old dog passes away we see later scenes where Squarzoni goes walking in the snow, accompanied by a ‘ghost’ dog, just the outline of his old pal by his side, not actually drawn in detail, the memory of his dog by his side. His walks through the French countryside include some quite lovely large scenes – we may be doing something bad to our environment, but it is still a quite beautiful world, he is pointing out. And in a book where there are many small, close up panels of people talking or detailed charts and graphs it’s nice to be able to breathe in the fresh air of a large, beautifully rendered scene of lakes and mountains.
It can be quite overwhelming reading – to be honest, despite finding it utterly fascinating and compelling I found it best to limit myself and read it in chunks (the layout of sections actually made this quite a suitable way to approach the book), partly not to simply overload my brain with concepts and figures and arguments, but partly also so I could allow myself time to stop and consider what I was reading. And despite what you may think, it isn’t entirely negative or doom-laden (although there is a strong pessimistic bent) – Squarzoni doesn’t restrict himself to covering everything we’re doing wrong as a species, he marshals many of those same ‘talking heads’ of his expert panel to discuss possible changes. All are adamant we have to change, and the science backs this up – despite some very shoddy media reports – as he points out when some opponents used media claims of dissent between scientists to fuel doubt about climate change a study of a decade of appropriate peer-reviewed scientific journals revealed no such disagreement, compared to about half of articles written by journalists which tried to convey there was doubt about human-made climate change – draw your own conclusions from that. And all point out that such changes are best managed incrementally – none of them want to tip the world back into economic chaos by suddenly imposing major changes without planning viable alternatives, and the quicker we start changing and adapting then the less severe those changes have to be (as opposed to head in the sand, wait till last minute then have to take radical surgery instead of holistic long term treatment approach). And all agree that such change can’t simply be forced, the democratic principle has to be used, people engaged in the debate, informed and give consent (and indeed to pressure) to their political leadership for changes.
It’s a fascinating, thought-provoking work, well-researched (coming with a good bibliography and list of various experts quoted and other resources for learning more), and the graphical approach makes the task of assimilating the mass of complex material much simpler for the reader. Squarzoni is also to be commended for taking in the large range of industrial, economic, social and cultural aspects to climate change and relating them to one another, in addition to the perhaps more obvious issues of just what sorts of waste we’ve pumped out relentlessly into our own biosphere without thinking about what it was doing. This isn’t a single problem, it’s a series of multiple but interconnected problems, some exacerbated by natural causes, but most from human causes which many simply don’t think about much, beyond the afore-mentioned changing to energy efficient bulbs. But as one expert points out in the book, the Earth has it’s own timetable – change is happening and most consider we’ve gone beyond the point where we can stop even more change coming. But we can adapt to it, we can limit the changes, manage them better, if we’re informed and able to make those decisions (and the drive to see them through – actual action, not just fine speeches from politicians or ads telling us how much giant oil companies care about the environment). And as with many problems, reading about them is a fairly good place to start… Don’t be put off by the size of the book or the heavyweight subject matter – as I said Squarzoni does a remarkable job in putting across the subject and also personalising it (it also arrives bearing plaudits and awards from the European scene), and let’s face it, as arguments erupt already over this new UN climate report out this week, we could all do with being more informed on a subject that affects every single person on the planet.
this review was originally penned for the Forbidden Planet Blog
Space has always fascinated me, perhaps not surprisingly as I was born at the peak of the Apollo programme, just a couple of years before Neil Armstrong’s giant leap on the Moon. I had my little astronaut suit to play in, repeats of the original Star Trek, Doctor Who, UFO, numerous other Gerry Anderson shows – space and an optimism in the future and in our ability to learn to use our own brains and science to better humanity were popular topics (sadly so much more pessimistic today for many). I was a child of the Space Age and then grew up in the early Information Age, I had a stack of astronomy books on my shelves even as a kid (reader then, as now). And then there was Cosmos and Carl Sagan on the television. I read and read, by the time I was 9 or 10 I could tell you the difference between a Gemini and a Soyuz and an Apollo capsule, I knew who Kepler was and how his mathematics shaped our understanding of our solar system.
I loved my books, but in Cosmos I could see it all – a history of science here on Earth and how it applied to our expanding knowledge of the universe itself, not just showing fascinating glimpses of distant creation, but putting it into a context of accumulated knowledge. I didn’t realise that aspect of it until I was much older, but subliminally the message was received and somewhere inside my young brain, absorbed and applied and forever after I have taken simple delight and pleasure in finding links between pieces of knowledge, that wonderful moment when you realise that something you are reading or watching relates to some other subject you read previously, connection and connection and connection. I still take pleasure when that happens today, and it was a lesson Sagan taught in the original Cosmos, that knowledge is one thing, but the ability to step back, place that piece of knowledge into context, was even more important, because then you start to assemble the jigsaw that shows The Big Picture. We never actually finish that particular jigsaw, because none of us is omniscient, but there’s so much pleasure to be had from assembling and connecting those pieces…
The original Cosmos also helped me humiliate an utter prig of a senior at my school, who tried to make me and my friend feel small and stupid. Back when there was a single BBC Micro for the whole school we were busy programming on it when this senior barged in with a friend, demanding we stop and they get to use it because their science teacher had an “important” programme that “we wouldn’t understand”. I asked what it was, and in a very condescending tone he told us it was to do with Kepler’s laws and we wouldn’t know anything about that. I proceeded to outline the main points of Kepler’s laws and observations and place them in their historical context for good measure. I would only be about eleven or twelve, he was about fifteen. I watched him deflate and become utterly humiliated as it was clear to all in the room that Mr Superior knew less about this subject than a boy did. Thanks to Sagan and Cosmos, where I learned of it then, me being me, I had followed this up by reading more about it. Learning is our friend. And sometimes we can use it in interesting ways, to beat an intellectual bully. Satisfying in itself, and also taught me a lesson too – there’s always someone who knows more than you do…
Sagan’s books and his Cosmos series had a huge influence on me. I think his series and the programmes of the great Jacques Cousteau taught young me an enormous amount about science and what Sagan called “the awesome machinery of nature.” My brain was never terribly good with maths, so studying science at university was never likely, my thoughts were more wired to the arts and language, and I have no regrets over that because I am forever in love with words, but they, and my piles of related books, left me with a huge fascination for an and appreciation of science and learning. And space exploration and astronomy especially, but again there’s that thing about learning being linked – learning about theories of how the other planets became the way they are prompted me to read some geology to understand this better. As a kid I also loved dinosaurs (which wee boy doesn’t?) and of course that linked with geology, which also lead into theories of evolution, which in turn lead to books about why it is humans can think, have language, create abstract thought, the very faculties that allowed for astonishing things like space exploration. There it is again, link, after link after link, all adding layers of context to what was learned.
And so this evening the much anticipated new Cosmos made its UK debut, with an introduction by President Obama, no less. Of course dear old Carl has been gone for a number of years now, but his influence is still felt, from his own opening narration and choice of similar location to that he used for his original introduction to the use of the ‘spaceship of the imagination’. And the new presenter, Neil deGrasse Tyson also embodies another link to Sagan – a joyfully personal one too, as he recounts at one point how as a seventeen year old student Sagan had invited him to visit. He arrived during heavy snow and Sagan talked to him, showed him his lab and offices at Cornell and presented him with a signed copy of one of his books (which he still has), an encounter which enthused the young man not only to a career in science but to emulate his role model in communicating science to a wider audience, to let everyone share in the knowledge and consider its implications and possibilities, which is important given how such matters often affect all of civilisation.
And so the new show’s first episode this evening… The format is similar to the classic Cosmos, the mixture of astronomy but interspersed with history, both human history of ideas and understanding and the deeper history of our own world, solar system, galaxy and universe. Again, context, links, without which facts don’t mean much. Of course the graphics are vastly superior to the effects the 1980 show could ever hope to create (although back then I still remember marveling at them). But the most important quality, more important than the scientific facts, the history, the learning, was something Sagan gave me in the original, Cousteau did with his shows, Arthur C Clarke did with his books – and that is the quality of sense of wonder. Simple as that – a sense of wonder that makes you feel like a bright eyed child again staring at the stars and imagining and dreaming. And yes, the new show had that sense of wonder.
You can read a short interview with the new Cosmos presenter Neil deGrasse Tyson on the Nat Geo site.
An infinitesimal dot in a vast space, containing, as the great Carl Sagan once said of another famous image from our exploration of space, the Pale Blue Dot image, every single person you ever knew, your mother, father, brother, your grandfather, his father back to the earliest proto human, every cat, dog, fish, bird, every beggar and king, every famous musician, every humble artisan, all lived on that dot. That’s home. Now Cassini sends us this spectacular image from Saturn, the crown jewel of the solar system, the Earth, a bright, blue dot (arrowed in the pic) glowing in the vast distance, millions of miles away while the magnificent rings of Saturn wheel above.
Every person, everything we’ve ever done is on that dot, from the first single celled creatures through the great dinosaurs to us, all contained inside that glowing dot. And yet look at this picture, look at how far we can reach, further than anyone in thousands of years of human history – look at how far we can reach when we put out efforts and those big brains evolution gave us to some wonderful effort instead of squabbling and fighting among ourselves on that same small dot. When we’re not doing that, this is the kind of thing we can accomplish, and it is magnificent. A little reminder as we see endless bad news of wars, disasters, economic ruin and more every night on the news that actually we are remarkable, our species built this clever probe, worked out a complex flight path around celestial bodies at huge speed, swinging around gravity wells and did so with such precision it can send us back images of our own world as seen from the rings of Saturn and we can share it at almost the speed of light through fiber optic networks of computers across that little globe, instantly.
“The Earth is the shore of the cosmic ocean. Recently we’ve waded a little way out, and the water seems inviting...” Carl Sagan.
(Professor Jim Al-Khalili signing books after the Turing lecture)
On Thursday night I attended a special guest lecture at Edinburgh University’s George Square Theatre, organised by the Edinburgh Royal Society, with author, theoretical physicist and broadcaster (he’s presented some excellent science documentaries on the BBC and C4) Professor Jim Al-Khalili. It was part of a series of events going on this year to mark 100 years since one of the great minds of the 20th century, Alan Turing, was born. I’ve always been a huge admirer of Turing – the father of computing and Artificial Intelligence, working out systems on pencil and paper before he and his colleagues, along with the GPO’s hugely gifted electronic engineer Tommy Flowers, created the world’s first electronic computer, a device so secret it was classified for decades while publicly others took the glory for ‘first’ computers later. Because they used this to help break the Nazi Enigma codes, without which the Second World War might have taken many more years of hard struggle and countless thousands more lives. He and his Bletchley Park colleagues were, in a real sense, war heroes, just not the sort who carry a rifle into combat, but utterly essential to the defeat of the Axis and the safeguarding of free civilisation. Turing was also a gifted visionary who was able to conceive of using science and mathematics to model thought processes years before others, giving new pathways to exploring both computing technology then emerging as well as understanding more how the incredibly complex human brain works and how that could be applied to machines, if they too could be make to think, each step along that road revealing more about the astonishing complexity of our own minds than that of our complex technology.
Sadly in the 50s Turing, a homosexual man, was arrested, homosexuality being illegal at the time, stripped of his security clearance despite his wartime record and given a choice of chemical castration or prison. He took the former but was never the same; depressed he took his own life with an arsenic laced apple. So little appreciation from the government of the country he had helped save with his genius and dedication and a reminder today when we see some clergy and politicians making unsavoury remarks about gay people how such comments can lead to attitudes and actions which can take lives, to the detriment of all of society… Turing remains one of my scientific heroes, though, and I was pleased that a public campaign a couple of years ago resulted in the then Labour government of Gordon Brown publishing an official apology for the way Turing had been treated back in the Britain of the 50s.
Another of my almost-lost reviews from years ago – tis review of Frank Barnaby’s science/history book was first written for The Alien Online back in November 2003 and was quite pertinent at the time as rows over the claims for WMDs in Iraq pre-invasion then the failure to find any post-invasion and the idea that we had largely been lied to by governments to justify the war was growing.
How to Build a Nuclear Bomb and Other Weapons of Mass Destruction
By Frank Barnaby
Published Granta, September 2003
How I learned to fear the bomb and start worrying more
Okay, first off, despite the cheeky title this is not a manual on the construction of thermonuclear devices. So those of you who were technically minded and looking for a project to occupy you over the long winter nights can stop reading now. What this little book actually does do is act as a handy-sized, easy to understand primer on Weapons of Mass Destruction – those WMDs all the cool kids are talking so much about these days.
Barnaby, a nuclear physicist who worked at Aldermaston, amongst other places, lays out concise explanations in a language easily accessible to the layman, describing each of the three main WMDs: atomic, biological and chemical (now you know where 2000 AD’s ABC Warriors got their name from).
The section on each type of weapon system is then broken down into brief overviews explaining the history of the weapon’s development, how they work, how they can be deployed by governments or small groups, what effects they have and, even more depressing, the history of their actual use, from chemical weapons on the fields of WWI Flanders to nuclear annihilation over WWII Japan.
This is not to say that Barnaby is an alarmist. Far from it; in fact he seems to have written this sensible book in order to counteract the souped-up hyperbole of the mass media in our post 9-11 world and the dreadful spin (if not actual misleading or even lying claims) about WMDS from governments. He has aimed to cut through this and produce an effective introduction to let the thinking person understand some of the real history, possible effects and uses of WMDs. In this respect I’d say he was extremely successful. For example, I now know that WMDs are not in fact invisible. Which does make me wonder why the US/UK can’t find all those ones in Iraq.
Although very informative, this book is, almost by its nature, disturbing reading. Describing how simple it is for someone to create chemical or biological weapons is frankly terrifying, and the example of the Tokyo subway attack using Sarin (the group responsible also had produced Anthrax) highlights the danger. The fact that immensely wealthy and powerful international pharmaceutical companies have used their might to stymie effective checks on production facilities in case someone is using them to secretly create bio or chemical weapons is even more alarming. There is no international system of checks – as exists for nuclear facilities – because the companies are too worried about possible industrial espionage and are prepared to put the lives of others at risk to protect their profits.
This is unlikely to be of surprise to anyone who has followed these same companies’ years of trying to block cheap, generic drugs to third world nations, but it is still more than a little astonishing that even in the current political climate there is no body to check up on chemical and biological facilities world wide. Given their history – look how many such weapons were created by IG Farben in Nazi Germany alone – you’d think the industry would be a little more safety compliant.
There was one aspect of this book that was even more horrifying and disturbing than this however. This dealt with the history of the deployment and use of WMDs. Often by the same ‘responsible’ governments who now act out military adventures to supposedly save civilization from madmen armed with WMDs. Chemical agents dropped in Vietnam, gas weapons used by Germany, Britain and France in World War I and, of course, the nuclear fires over Hiroshima and Nagasaki that burned the horror of WMDs indelibly into the public mind for all time in much the same way as they burned people’s shadows into the walls.
And before anyone argues that these events are being taken out of historical context, Barnaby discusses the vast destructive arsenals Russia, Britain, America, China and France hold to this very day and are reluctant to get rid of, while trying to ensure other nations do not possess similar weapons; although to his credit he does not take a political stance on this, merely reports the facts.
So, yes, this is disturbing material, but if you follow current events then you should know this stuff so you can try and cut through the spin and scare-tactic headlines. Information is a weapon every bit as effective as WMDs and its one weapon we should all have access to.
This review was first posted on The Alien Online back in May of 2002. By coincidence it was the second pop-science book on the subject of historical automata I posted on there within a short space of time, the other being Tom Standage’s fascintaing book on the famous Mechanical Turk (reposted here). Wood’s book is more wide ranging though, going through a number of famous historical automatons across the centuries, right through to modern day scientists working in advanced robotics, along the way taking in the birth of modern cinema, stage magic and some of the figures who moved through both fields like George Melies, magician, showman, pioneer of early cinema and a displayer of automata, even taking in remarkable humans who some believed were really automata.
Living Dolls by Gaby Wood
Machines which mimic human life, humans who appear as perfect doll-like automatons – not science fiction, but history
Typical – you wait ages for a book that deals with historical automatons and then two come along at once.
Anyone who has read the recently published the Mechanical Turk (see earlier review) by Tom Standage will be at least partially familiar with some of the subjects in this new book from Observer writer Gaby Wood. Understandably The Turk itself commands a fair chunk of the book – it is, after all, one of the most famous attempts to counterfeit life artificially. The question here is, does Living Dolls contain enough new material to make it worth reading if you have already perused The Turk? Personally I think the answer is a resounding ‘yes’.
Living Dolls eschews the in-depth concentration on a single strand of automata for a more general and wide-based historical overview. Wood certainly covers many of the same areas as Standage – Vaucanson’s mechanical duck, his magical flute player and of course The Turk – but she is preparing her grounds for a somewhat more anthropological approach. Her broader overview allows her to examine what it means to be human or machine and how the lines have been blurred by successive generations of mechanicians, scientists and illusionists (not all as different and occupation as you may suppose). Wood carries the reader through the wonderful devices of the 18th and 19th century with a journalist’s understanding for the human angle, affording us a more empathic approach to this fascinating subject than Standage, with a fine eye for wry amusement along the way (for instance the mechanical child who writes essays at his desk and occasionally scribbles “I think therefore I am, I do not think, do I therefore exist?”).
Wood includes in her definition of artificial life the creation of cinema in the 1890s and also the first phonographs, with excellent chapters on Edison and George Melies. It is hard to imagine for us now, but when Edison first created the phonograph he had inadvertently given away one of the defining characteristics of humans – speech and language – to a machine. Moreover, this machine could store a voice, playing it back long after the speaker has ceased to exist – this was indeed a marvel of the age and also deeply disturbing, especially when fitted inside Edison’s talking doll. Melies, a great stage illusionist who ran the Robert Houdin theatre (the magician and automaton maker who gave Harry Houdini his stage name), uses the early cinema to create new takes on human forms. One of the first to realise he could use the new medium for magical effects and tricks, Wood argues that Melies, by making what appear to be humans perform actions impossible in real life, had actually created a new type of simulacrum. In an age of virtual reality, this is certainly a subject to be considered and it is fascinating to see the precursors to our modern conundrum with technology and The Real back in the age of steam.
(a schematic of Vaucanson’s famous mechanical duck)
The final chapter deals less with the mechanical and more with difference. Wood brings us into the early twentieth century and the heyday of the travelling carnival and all-American freak show. We are introduced to many fascinating and richly colourful characters, notably the Schneiders, who appeared under the stage name of the Doll Family. This was a travelling act of a family of midgets, who unlike some small people have limbs that are in proportion, making them appear like either children or miniature versions of adults. Is this straying from the subject, fascinating as it is?
Wood, successfully in my opinion, argues that in a fine historical reversal the Doll Family were often perceived by curious audiences as simulacra. No real person could be this size and in proportion, so they must be clockwork dolls or automata of some sort. We have moved from the public gasping in admiration at mechanical devices counterfeiting life so well they believe a human agent must either be inside or controlling them to an era where they believe small humans to be unreal, mechanical concoctions. In an era of psychoanalysis this fits in perfectly with notions of the Uncanny and the all-too-human fear of the Other. The Dolls, especially Harry, appeared in many Hollywood films and were well loved. Tod Browning, who began working in these same carnivals went on to direct Lugosi in Dracula before casting Harry and other real life carnival performers in his astonishing film, Freaks. A fascinating mixture of mechanical (the moving image and recorded voice) and people very different from the ‘normal’ range of humanity – what is human? What is normal? How can we consider if a machine has life or thought if we are so prejudiced against other humans who look different? In a wonderful personal coda to this chapter Wood is examining archives in Florida, where the Dolls retired. After reading Harry’s obituary – he passed away in the 80s – she decides to drive past the address listed as his last home, a kind of pilgrimage. She is shocked to find the Doll name still on the mailbox and further surprised to find Elly – Tiny Doll – still in residence. It is a wonderfully personal and warm moment, a piece of the history she has researched, still here, no longer a chapter in a book but a breathing, feeling person.
The very last short chapter takes Wood to Japan to observe the latest in robotic technology. In another amusing twist she finds that Professor Takanishi has constructed an artificial flautist, completing a circle from the eighteenth century to the twenty-first. She asks him if this in tribute to Vaucanson’s famed eighteenth century mechanical flute player. Takanishi answers in the negative. In fact he is of the opinion that a mechanical flute player is so difficult to create that Vaucanson could not possibly have constructed one nearly two hundred years ago. I share Wood’s ironic amusement at this modern scientist’s lack of history in his own subject of research.
As with Standage’s Turk, Living Dolls is a book of wonders, from past to present. Little reminders that the mechanical miracles that are now commonplace in our modern world are not new, and debates over the status of humanity and intelligence and machines have been with us for a long time. I found The Turk to be a fascinating and absorbing book, but Living Dolls has perhaps a more human, warm and personal touch to the subject. Oh, why not spoil yourself and read the pair of them!? Then the next time you watch Data in Star Trek TNG debating if he is really “alive” you will be able to appreciate the rich history behind his Pinocchio-like dilemma.
Publisher: Faber and Faber, May 2002
Britain: one of the great intellectual powerhouses of science and engineering advances, from the days of Newcommen, Brunel, Stevenson and Newton on and yet since the end of the Second World War haven’t those glory days where we lead the world slipped away? No, says Francis Spufford, who takes several fascinating post war British inventions by the great British Boffin that have lead the world, including the brilliant triumph where, for a change, the Blighty Boffins took on the wealth of American privatised research and made vital genetic research work in a way that could then be shared with the world to further medical advances (take that, Craig Venter!). This review first appeared on The Alien Online back in January of 2004, where in addition to science fiction, fantasy, horror and graphic novel reviews I also contributed a number of popular science lit reviews:
The Backroom Boys by Francis Spufford
Ladies and gentlemen, let us celebrate the Great British Boffin!
Boffins. It’s a peculiarly British word for a very British kind of eccentric scientist. We’ve all got a mental image conjured by that word; cardigan-wearing, pipe-smoking types working on Heath-Robinson contraptions which look ludicrous yet become the prototype of inventions such as radar, supersonic aircraft or genetic sequencers. Spufford, author of the lovely The Child that Books Built, has taken several post-war episodes of invention to highlight the fact that the British Boffin is still around.
Backroom Boys begins with the ill-starred British space programme. Yes, we did have one once upon a time, although you can be forgiven for not knowing. In a typically British fashion it was run piecemeal on a shoestring. Not quite a garden shed moon rocket but pretty close, as a converted flying boat manufacturer designed and started to build rockets.
Where NASA had billions of dollars and tens of thousands of specialists in many fields the British had a small team doing it all – and pretty well too. The aims were limited and the technology too, constrained by the lack of investment. By the time the rocket finally took off successfully and put a tiny satellite into orbit the project had already been cancelled. Again the typical British way of doing things: spend time and on something then cancel it just as it begins to show some hint of success.
The chapter on the magnificent technological folly of Concorde is similar in tone; backbreaking research into an unexplored field of science and engineering which ultimately was thrown away. Spufford takes us through the design and the political problems which dogged the Anglo-French project right through to the world economic and fuel crisis which effectively stymied it as it began to fly and the limited legacy bequeathed to British Airways.
It’s not all doom and gloom and heroic failures though. Rarefied theorists come out of their ivory towers to map Britain in unprecedented scale in order to design transmitters for the new-fangled mobile phones, innovating in many realms: computer modelling, multiple frequency transmissions, cellular structure for broadcasts. We all use – or are annoyed by – these (now) tiny, bleeping devices of mass communication today, but most of us probably only have a vague idea of how they came into existence and just how it is that millions of them can be used each day so easily. British know-how strikes again.
The Universe in a Bottle is a chapter which I suspect will warm the heart of many a geek of a certain age. A new generation of backroom boys (don’t titter, it doesn’t mean anything dirty you naughty lot) arises, working in their bedrooms on a device which is new to the home: the personal computer. Tinkering with Acorn Atoms and ZX81s… who else recalls those early days? And then the mighty BBC model B gave a couple of boys at university the ability to design something no-one else had thought of: a truly three dimensional space on the two dimensional screen.
Those of you old enough to remember the days of keying in long programmes by hand or buying a cassette (yes, cassettes you young whippersnappers!) of a “100% pure machine code” home-made Space Invaders game from some bloke advertising in the back of Computer Shopper will guess what this revolutionary software was: Elite. One of the first enormously successful games and technologically innovative, too: the routine the boys re-wrote to make the BBC perform the graphic they wanted amazed even the people at Acorn who built it. It may look tame to day but it was the first of its type back in the dim days of the early 1980s, and it was a bloody good game too.
The book wraps up with very modern technological innovations: extra-planetary exploration and the unravelling of the human genome. The multi-national attempt to decode the human genome, to read the book of life itself is one of the biggest scientific projects in human history. It is a project which holds promises of great changes for all of humanity and is as breath-taking in its scope as the Apollo programme was in the 1960s. And it nearly foundered on the rocks of American capitalism.
Craig Venter announces that his private genetics company intends to do most of the work over the top of the public research bodies. In the US government agencies are forbidden from competing against private industry, so that appeared to be the death of the public programme. Needless to say Venter wasn’t doing this for high-minded philanthropy; he wanted to make money from the information he decoded. Step forward the British Boffins. Funded by the biggest charity in the world, the Wellcome Trust, they decide that the book of life will not be privatised on their watch. They want every scientist in the world to be able to access this information freely so that even doctors in poorer countries can use the data to help treat diseases. They announce at a conference that they will if necessary, do the entire project themselves. The dispirited US scientists go back re-invigorated to their public projects. The rest is history. This is science for the finest reasons – completed purely for the betterment of humanity.
The final chapter deals with the not so well-funded boffins who are the brains behind the Beagle II Mars explorer. Struggling with the ever-decreasing British commitment to space endemic since the project in the first chapter. Trying to pack in as much technological sophistication as possible into a tiny probe to ride a larger ESA vessel is difficult. Trying to get the funding to make even this modest device is even harder. But, as we all know by now, they succeeded against the odds (the favourite type of British success). The British boffin strikes again.
This is a book which is as unusual and quirky as the kind of people it is describing. It is part a history of science and partially a celebration of British eccentricity and genius – and we do like our geniuses to be eccentric in this country. It is an extremely affectionate look at the Great British Boffins who have quietly helped to shape the world we live in which never becomes to maudlin or overly nostalgic, despite re-creating the Dan Dare atmosphere of the ’50s rocket ships so well. It celebrates triumph and disaster equally buy still comes out with an uplifting message of optimism. This will delight and fascinate anyone interested in the history of science and, with the chapters on Concorde and Beagle II and new racketeers re-appraising the old British rocket it is as contemporary as it is historical.
Publisher: Faber & Faber (UK)
Date: November 2003
This review was first posted on The Alien Online back in July of 2004 and tells the story of the Space Race from the point of view of both an American astronaut and a Soviet cosmonaut. By a stroke of enormous luck one of the two space explorers, Commander David Scott, was in Edinburgh to meet the media in a hotel near my then bookstore and his PA brought him over to sign some copies of the book afterwards, so I got to meet him. Suddenly an ordinary working day was transformed as I got to shake the hand of a man who walked on the Moon. A man who even drove on the Moon! A man who got to live a childhood dream of mine…
Two Sides of the Moon by David Scott & Alexei Leonov
Two of the pioneers of space flight show how to have the Right Stuff
David Scott and Alexei Leonov. Respectively an all-American fighter jock turned astronaut, and a Soviet test pilot then cosmonaut. Both men trained by their respective air forces during the chilliest periods of the Cold War, both part of the vast war machine both superpowers employed in their most dangerous games. Had history unfolded a little differently these men may well have ended up facing each other in aerial battle. As it was, they and their nations would compete in a new arena: space flight.
Two Sides of the Moon flips regularly from Leonov to Scott and back again as both tell us a little about their early lives and the decisions which would eventually lead them into space. Both men are fascinating characters. Leonov, struggling in the inadequacies of the Soviet system where even obtaining a pair of shoes could be a struggle, still manages to become well-enough educated to become a pilot. Scott works hard to put himself through education and training to also become a pilot. Having achieved this goal though, neither man loses any edge to their ambition or determination. Studying even harder, working and flying, they both excel at both theory and practise of aviation, becoming test pilots. This was the pool from which both superpowers would select the original astronaut crews, although at this point neither man really suspected that this was where their futures lay.
Both men were right in there in the earliest days of manned space flight, undergoing trials and training that make their previous travails seem comparatively straightforward. Both men work with and are friends to explorers who have become legend since those heady days: Leonov with Yuri Gagarin and Scott with Neil Armstrong (who provides the introduction). The physical, emotional and psychological pressure the prospective space crews come under is astonishing – way beyond what is demanded today of those undergoing space flight. It had to be demanding however, these men had to have what Tom Wolfe called ‘the Right Stuff’ because they were not only the pioneers of a new frontier; they were entering a wild frontier. New technology and engineering designed to do something never achieved before in the entire history of human civilisation. Men about to be subjected to who-knows-what kind of dangers? Could a man even live in space? Would his ship survive the environment of chilled vacuum and hot radiation? Could the man? Would a ship make it back to Earth safely? Even if it did, would the man be alright? What totally unknown effects could space flight have on a human body?
When you realise just how little was known about space – and this is only 40 years ago – it becomes apparent that the determination and quiet bravery of these early cosmonauts and astronauts must have been exceptional. If you were a test pilot – as both men had been – trying out a revolutionary new aircraft and it goes wrong, you have a chance to eject and escape. This was not really much of an option in an early rocket vessel and indeed lives were lost on both sides, while more were imperilled but saved, by a mixture of ad-hoc engineering genius, skilful flying and steady nerves. This really was a dangerous time – Leonov elicits great sympathy for lost comrades who gave their lives in pursuit of this bold, new human exploration. Scott, in an incredibly touching display, places a small statue and plaque on the lunar surface honouring the names of both Soviet and American astronauts who had given their lives to the new frontier.
This sense of brotherhood between the rival space explorers is a constant theme throughout the book. Neither man is naïve enough to dismiss the Cold War rivalry and the politics of that period which lead to the huge investment in space exploration for reasons of scientific and military dominance as well as for national prestige. But brotherhood there most certainly is, between these explorers isolated by geography and politics by united by a common pursuit into the unknown. Both groups feel sympathy and pain for the others’ losses and both, while also aspiring to lead, applaud the other’s achievements. This would contribute directly to the mid-’70s brief period of détente when Soyuz and Apollo craft would meet in orbit around our world and dock together. Two Cold War rivals united many miles above the glowing surface of the Earth.
For most readers who are familiar with the history of space flight, this may not be a major revelation. What this book does do however, is give that epic period a human face, to personalise it. Leonov’s love of art leading him to take crayons and paper into orbit to sketch what he sees (Scott, incidentally, echoing Carl Sagan’s heroine in Contact by saying that what we need in space is an artist or poet to really describe it to the rest of us). Scott spending several days on the Moon, realising that if he raised just this thumb he could obscure the entire Earth from the horizon. More Earthly camaraderie as the joint Soyuz-Apollo teams play host to each other during their training, the US astronauts struggling to keep up with the hospitable Soviets who insist – of course – on drinking a vodka toast to their health on each visit. Leonov and his crew taking a quick pee against the wheel of the bus which takes them to the launch area. These small, personal events give a very human shape to men who achieved astonishing feats – Scott driving on the Moon in a Lunar Rover, bouncing along the lunar surface, Leonov the first man to float freely in space, ‘walking’ outside his tiny craft, hanging by a thread above the world. Leonov’s delight at Arthur C. Clarke naming the spaceship in 2010 after him.
Space exploration today has often become a pale shadow it’s former self. Safety and simple economics have both reduced the manned exploration to a rump and the general public pays scant attention for the most part, unlike the ’60s and ’70s when the deeds of astronauts were front page news around the world. Occasionally people pay attention when spectacular images from the recent Cassini probe come in or when lives are lost in a disaster like Challenger. This book speaks to those of us who remember the sheer wonder and excitement of the early space missions, when millions of little boys and girls dreamed of becoming astronauts when they grew up. It’s about the magnificent feats humans can accomplish, the achievements we can make through hard work, ingenuity and bravery.
In a way it is a little sad that this great, heroic period is already just a part of history. These men actually lived what many of us dreamed of; now it looks like the dream is fading away. And yet one of the lessons that can be learned from this book is that the dream never leaves us entirely; the human urge for exploration is simply too strongly ingrained. Those pioneering days of triumph and tragedy may be gone, but they left a route for us to follow. The Apollo and Soyuz project was more than a brief flowering of Cold War détente – it proved that different space craft could rendezvous in space and successfully dock with one another. Without this mid-70s flight the dream of today’s multi-national space station Freedom would have been stillborn. The early days are gone and the men who took giant steps are growing older, but the deeds they accomplished remain as both testament to human endurance in the past and as a beacon for future explorers.
Publisher: Simon & Schuster (UK)
Date: May 2004