Music in film

It’s probably not surprising given I am a huge cinephile that I also really enjoy a lot of film soundtrack music. The other day I was listening to Gershwin when the album reach Rhapsody in Blue and right away I was mentally visualising that wonderful monochrome opening to Woody Allen’s Manhattan “he adored New York… for him it still pulsated to the great music of George Gershwin…”

And it made me think how sometimes certain pieces of music can become eternally associated with a scene from a film. I don’t just mean original soundtrack music – like John Williams’ opening for the original Star Wars, for instance, conjuring up that amazing (for the time, young me had seen nothing like these gigantic ships thundering across the screen after the opening crawl of text) opening of that saga, or Hans Zimmer’s powerful Inception soundtrack. No, I was thinking on music which had existed in its own right before being borrowed for us in a film – sometimes it can be a little known piece of music, or at least little known to the wider public, such as Barber’s Adagio in Platoon or Strauss’ waltz in the famous space docking sequence in 2001. Obviously classical music admirers knew those, but the films brought them to a wider audience and also indelibly linked those pieces forever in most people’s minds with those scenes in the movies.

Of course there is Herman Hupfeld’s “As Time Goes By” which originally dated from the early 1930s, but really became better known – any by better known I mean immortal – in the 1940s when used in Casablanca. If not for that I doubt most of us would ever have heard of the song, whereas now if we hear it we connect it to one of the best films of all time right away.

Sometimes it can be a well-known track a lot of folk had in their collection from years back, which suddenly leaps back into the pop-cultural landscape, fresh for a new audience, a nostalgic flashback for older fans. Iggy Pop’s Lust For Life suddenly gained a second lease of life when used in the pounding opening of the film version of Trainspotting:

Or Gary Jules’ cover of Tears for Fears’ “Mad World” for Donnie Darko:

And arguably these days for a lot of folk these days those songs will always be associated with the films. And then there’s the great use of Queen’s mid 1970s hit Bohemian Rhapsody for 90s cult hit Wayne’s World:

And Bob Seger’s “Old Time Rock & Roll” with a very young Tom Cruise dancing around in his socks in Risky Business:

And the Pixies’ brilliant “Where is my mind?” for the closing of Fight Club:

And a personal favourite of mine, Goth classic “Bela Lugosi’s Dead” by Bauhaus used in the opening to The Hunger – this one going so far as to actually use Pete Murphy and the boys in the film:

And there are hundreds more – think Steppenwolf’s rock classic “Born to be Wild” in Easy Rider, the Doors and even Wagner in Apocalypse Now and goodness knows how many more, classical, jazz, pop, rock that either existed before but were little known until selected for use in a film scene or else they had enjoyed their moment of success and suddenly found themselves with a second bite at the cherry (Quentin Tarantino has done both numerous times in pretty much every film soundtrack he’s ever made). I’m sure you can think of plenty of other similar examples off the top of your head.

Making music on the Mound

Walking through Edinburgh on the way home from work the other evening and came across this trio on the Mound, right by Princes Street Gardens, in the space next to the Royal Scottish Academy. They are called Marama and consisted of two drummers and a bagpiper, kicking out the jams to a fabulous beat, folk music but with a more modern edge, which reminded me of bands like Shooglenifty we used to go to see back in our student days who took Scots and Irish folk music but reworked it in a modern style (we danced all night to those, irresistible beat).

They were having a ball, drummers whacking away and the piper frequently dancing around them both as the beat rolled out across the city and the crowd cheered along.

Great fun to come across things like this just ambling home, another sign of moving properly into spring and summer (despite the weather!) as street performers start to appear more often.

And here’s a short video clip of them in action – sorry, being a street scene the audio isn’t that great and doesn’t do them justice really, but was only way I could try and grab at least a bit of of their sound to share:

Free music from Belgium: the Royal Harmony Orchestra

The Royal Harmony Orchestra from Belgium is coming to Scotland in July and among their number if my own family’s Belgian contingent, with a free concert on the afternoon of Monday 9th July at three pm in the Ross Bandstand in the West Princes Street Gardens, right beneath the mighty edifice of Edinburgh Castle, if you are in town then please consider going along and giving them some support (and enjoying some free music to boot)

 

They will also be performing in Edinburgh’s historic Saint Giles Cathedral on the Royal Mile on Tuesday 10th July at twelve noon (again free entrance for all the events), the Wallace High Assembly Hall on Wednesday 11th at eight pm, Dunbar Harbour on Thursday 12th at three pm, and Saint John’s Kirk, Perth, on Friday 13th at twelve noon.

 

Lord of the Strings

Lindsey Stirling’s violin medley of music from the soundtrack of the magnificent Lord of the Rings films is simply superb – from the beautiful airs of the songs to the more martial theme of the horse lords that stirs up the blood for a cavalry charge against the Orcish hordes…

And on a non musical note, Lindsey herself is incredibly cute and Elfin.

You’re a creep, Charlie Brown…

This re-edit of clips from the old Peanuts animated cartoon showcases poor old Charlie Brown against the Vega Choir’s beautiful cover version of Radiohead’s fabulous song Creep. It suits it so well, both funny and quite sad at the same time, seems so appropriate for Charlie Brown, one of the nice guys who always seems to get the rough end of the stick be it in baseball or his quest of the little red-haired girl…

Al Fresco album browsing

Ambling through Edinburgh’s Old Town on a Saturday afternoon recently with a friend we noticed a stall set up on Middle Meadow Walk with second hand albums, CDs and DVDs. I used to go to second hand record shops regularly when I first moved here years ago, but prices for CDs and DVDs in places like Fopp or online have dropped so much over the years that the second hand places are often not worth it, although I do find myself still going for wanders through second hand and charity bookstores (and I certainly don’t really need more books, but it doesn’t stop me!).

al fresco album browsing 01

al fresco album browsing 02

It’s funny though, as soon as my fingertips started flicking through the racks, especially the plastic-wrapped albums, it was like the fingers remembered this exercise from many years of browsing and I felt a curious satisfaction, half memories of browsing through old albums with pals in Glasgow or Edinburgh of a weekend in our late teens and 20s. An enjoyable way to spend some time; raking through boxes of second hand comics has a similarly satisfying feeling. And I think the fact you can come away with some purchases but only spend a small amount is kind of nice, especially with things so tight – the feeling of having bought something cool but not having made a hole in the wallet to do it. I think I came away with second hand White Stripes album and a jazz one by Courtney Pine, plus a DVD of The Goonies for the princely sum of about 7 quid. Then we wandered over the road to Sandy Bell’s for a few pints and listen to some live folk music.

folk music in Sandy Bells 02

folk music in Sandy Bells 01

Fuck me, Ray Bradbury

Love this very rude but very funny (and very NSFW) pop video by Rachel Bloom paying rather sexy homage to the great Ray Bradbury and a bit of book humping. Very naughty, but then what do you expect from a song by a huge-chested singer with a title like “Fuck Me, Ray Bradbury”? Some good use of Ray’s book titles in the lyrics, bet he never expected them to be used in quite this manner, although I daresay the late Philip Jose Farmer would have loved someone to do this with his books. (via Christopher Cooksey on Facebook):

The Doctor is in…

Brian Rimmer presents a time-travelling musical slide through more than forty years of theme music and opening sequences to the world’s longest running science fiction show, Doctor Who. I confess my favourite remains the Tom Baker era ‘time tunnel opening (the main Who era for me growing up), with the same ‘slit-scan’ technique used in the stargate sequence for 2001, but it’s fun to see them all back to back like this, from the early Hartnell era of 1963 (and the logo that looks like ‘Doctor Oho’ for a second before becoming ‘Who’) through to 2010′s revamped opening and music for Matt Smith’s Doctor. And through it all that immortal, iconic bass line, duh duh duh duh, duh duh duh duh, that’s been reworked endlessly across the decades by various arrangers for the show and by other musicians like Orbital and Pink Floyd; those bass lines were the signal to generations of kids that it was Saturday, tea-time and that meant marvellous adventures and scary monsters (and jelly babies). How lovely that it still means exactly that to a new generation of kids watching the new show and still loving it. (via BoingBoing)